EdgePiece

EdgePiece
We?re emerging editors launching emerging writers. Our mission is simple: to give new writers and artists a place to start?an edge piece for their big-picture puzzle. And when we say ?new,? we mean it. This isn?t about elitism or exclusivity. EdgePiece is a place for anyone with a voice and the simple, human desire to have it heard. We?re your soap box, your mic stand, your stage?and we?re asking you to use us. We publish fiction, non-fiction, poetry, reviews, photography and art in our issues, which we release tri-annually.We never fully reject a manuscript; we work with you, editing your piece and suggesting improvements. This way, everyone gets experience and satisfaction from the process. That said? Let?s hear it.

Red River Review

Our purpose has always been to publish well-crafted poetry using the best electronic means available. Our highest priority is the quality of writing. We will also post companion media pieces such as artwork, video the published poem being read by the author and other mixed media items that the editors agree are relevant. Again, our highest priority is the written word. Everything else is secondary.

FIDDLEBLACK

FIDDLEBLACK
Our primary areas of focus include creative writing concerned with rural landscapes, sprawl/suburbia, finite space, the American West, and the American Deep South. We accept short fiction, creative non-fiction, poetry, and relevant essays or annotations. Consult our mission statement for more information

nether

nether
[nether] is a quarterly magazine in print (fortnightly online) for literature and the arts located in Bombay, India with a focus on all the potential variations in the sphere of contemporary writing from India and across.

Badlands

Cal State San Bernardino?s Palm Desert Campus publishes Badlands annually. The publication features original creative work (fiction, non-fiction, and poetry), and specializes in translation. Edited by students at CSUSB?s Palm Desert Campus, Badlands also accepts original visual art submissions, including photography. The publication is made possible by funds from the university?s Instructionally Related Programs Board

Journal of Compressed Creative Arts (Matter Press)

Journal of Compressed Creative Arts (Matter Press)
Matter Press is a community-based, non-profit 501(c)(3) literary press that publishes an online literary journal (The Journal of Compressed Creative Arts), manages a compressed prose and poetry chapbook contest, and supports a regular reading series. Matter Press offers internships to Rosemont College MFA in Creative Writing & M.A. in Publishing alums and degree-candidates as submission readers, literary editors, and publication designers. Matter Press focuses on supporting emerging and established authors working with condensed forms of fiction, creative non-fiction, poetry, and visual arts.

Paper Darts

Paper Darts
Paper Darts is committed to presenting high-quality content that captivates, but doesn't overwhelm, and culminates in a finished product that is, itself, a piece of art. The great aim of Paper Darts is to do away with the overwhelming text block that is most lit mags, and provide avid art lovers and literature buffs with a product that is as artistic as the content it offers. "Paper Darts represents everything that is good and pure about the Twin Cities art scene, and I mean that in the grittiest, sauciest, most titillating way possible...The three editors are like these mythical weird sisters who pluck exciting and divergent work from their surroundings, toss them into a bubbling caldron, and end up with this complex, aromatic ointment even more powerful than its parts." ---Maggie Ryan Sandford, Star Tribune

n+1

n+1
Writers interested in contributing to n+1 should note that we come out only three times each year, and that most if not all of the slots available for a given issue will have been filled by the editors many months before publication. That said, if you would like to brave the odds, the best submissions guidelines are those implied by the magazine itself. Read an issue or two through to get a sense of whether your piece might fit into n+1.

The First Line

The First Line
The purpose of The First Line is to jump start the imagination-to help writers break through the block that is the blank page. Each issue contains short stories that stem from a common first line; it also provides a forum for discussing favorite first lines in literature. The First Line is an exercise in creativity for writers and a chance for readers to see how many different directions we can take when we start from the same place.

Heavy Feather Review

Heavy Feather Review
Heavy Feather Review is an independent, biannual online journal dedicated to publishing the finest in short fiction, poetry, short comics, creative nonfiction, original photography/art, or any hybrid thereof. The HFR homepage sees updates on a rolling basis. These updates may include but are certainly not limited to: essays, guest posts, book reviews. Please review our guidelines before submitting. Questions? Insults? Publicity? Compliments? Email the editors at heavyfeatherreview@gmail.com.

Writes for All

Writes for All
Writes for All is an independent press seeking to publish high quality fiction. Magazine issues will be available online and in print. Our mission if to publish meaningful stories that explore the human condition regardless of the genre, sub-genre, or style. We strive to break down the barriers of fiction and publish works that tackle a variety of subject matters. We find it improper to disqualify work based on the preconceived notions of form within a category. We understand that there are many ways to tell a story. We believe that work of merit transcends the genre in which it is associated.

Dogweed Literary Magazine

Dogweed Magazine is an online literary magazine devoted to publishing the best of emerging writers and artists. We do, however, have a slight bias in favor of writing that reflects the Southwest. We are interested in borders, multiculturalism, urban Southwest, rural Southwest, environment, mythology, travel, and immigration–to name a few.

Revolution House Magazine

Revolution House Magazine
Revolution House is the brainchild of a disparate group of writers who came together during the tumultuous early months of 2011, when the MFA application anxiety was high and the lows were lower than low. We had a dream of a sprawling farmhouse, a place where we could all escape the dragging monotony of reality. But it's difficult to find a house with fourteen bedrooms, so we ended up here instead, building platforms to launch other dreams. Most of us have never met face-to-face. We are a product of the digital age ?- we rely on Facebook, text messages, and e-mails. But we'll never meet most of you, our writers and readers, face-to-face, either. We rely on the connections forged through thought, through contact that isn't physical. Together, we will build that house, using words as our tools, as the brick and mortar, until we have created something from nothing at all. Revolution House doesn't care if you have a hundred publication credits or if this is your first attempt. Send us your poems, your stories, your moments of shining truth, and we will treat them as we want our own to be treated: with respect and compassion. Send us the work that moves you, for better or worse.

Barge Journal

Barge Journal
Barge Journal reads unsolicited submissions year round. Submit through our submissions manager on the website. We seek experimental fiction and poetry as well as (emphasis on the creative part) creative non-fiction -- though we prefer non-genre, non-classifiable work above all. Long story short, this isn't the place to submit your literary fiction or formal poetry.

Innovative Fiction

Innovative Fiction Fiction * Theory * Art Online literary magazine featuring reviews of innovative novels, essays, and art. Recent reviews include: Soluble Fish by André Breton, Arp on Arp: Poems, Essays, Memories, Dissemination by Jacques Derrida, Event by Philippe Sollers, Finnegans Wake by James Joyce, Cities of the Interior by Anaïs Nin, The Voice in the Closet by Raymond Federman, Jardin des Plantes by Claude Simon, Zettels Traum by Arno Schmidt, Thru by Christine Brooke-Rose, Long Talking Bad Conditions Blues by Ronald Sukenick, and Composition No. 1 by Marc Saporta.