Singular, idiosyncratic and a little mysterious, Black Clock is one of America's leading literary journals. Since its inception in 2004, the publication has featured work (by Don DeLillo, Richard
Issue #1 just published! 108 big full-color e-pages, full of spiny, succulent fiction, nonfiction, poetry, and art. On the search for more literature that thrives, literature that makes us swoon,
We are an online magazine of literature and the arts, featuring poetry, fiction, art, original musical compositions, and short video art. We lean heavily toward the experimental and the avant-garde, but we have no exclusive "school" or dogma. We always like to be surprised.
Current acceptance rate is less than five percent. Each piece submitted should not be over 500 words. If poetry, not over five per submission. Include a short, third person bio that tells us
Cardinal Sins is Saginaw Valley State University's arts and writing magazine. We are run by the students and faculty of SVSU. Although regular submissions for Cardinal Sins are only open to SVSU students, faculty, and alumni, our annual contest is open to everyone!
Est. in 2000, Carve magazine, named in honor of Raymond Carver, is a literary magazine publishing new short stories every quarter. Our stories are free to read online
At Cease, Cows we want to explore the contemporary, the strange, the big questions. We want to feel cultural pulses, expose mental arteries, bathe in both the sanguine and sanguinary. We want to publish prose and poems with fire and truth. Humans may be animals,
About Years ago, the dark glow of a bar called Cedars drew us writers in. We met there nightly to talk, drink, laugh, cry and play.
Chagrin River Review is named after the Chagrin River, which flows into Lake Erie in the Northeast corner of Ohio. Not only do we publish work with Ohio connections, but any poetry and stories
The editors actively solicit writing that expresses the values of Chautauqua Institution broadly construed: a sense of inquiry into questions of personal, social, political, spiritual, and aesthetic importance, regardless of genre. We consider the work of any writer, whether or not affiliated with Chautauqua Institution, except for members of the Board of the Chautauqua Writers? Center unless solicited for special issues. The qualities we seek include a mastery of craft, attention to vivid and accurate language, a true lyric ?ear,? an original and compelling vision, and strong narrative instinct. Above all, we value work that is intensely personal, yet somehow implicitly comments on larger public concerns?work that answers every reader?s most urgent question: Why are you telling me this?