High Desert Journal is a literary and visual art magazine dedicated to further understanding the people, places and issues of the interior West. Its pages help define this region in literary
Growing List of Nonfiction Literary Magazines
Here is our Growing List of Nonfiction Literary Magazines, we have over 300 in this category, and we have been collecting these listings for over 10 years. Unlike other "lists" on the web, created by new to the scene "experts," we have been creating listings since 1999. Though many of our ideas have been copied countless times, we want to bring you an original complete listing of nonfiction magazines unsurpassed by any other site, searchable, and with detailed submissions information from the editor's of these publications.
Creative Literary Fiction has become even more popular over the last 10 years than it was in the past. Collections like Best American Essay (a wonderful publication) highlight exemplary writing in this category. We are working hard to bring you the best and biggest selection of magazines publishing Creative Nonfiction, Literary Nonfiction and Nonfiction.
This category is a general warehouse of all types of nonfiction magazines. Please check the guidelines of each magazine before submitting your work. These listing were all submitted by the editors. They will give you unique insight into what the publication is looking for in their call for submissions.
We are dedicated to helping find markets for you nonfiction.
If you need to contact us about our listings. The best way to reach up is through our Talk to the Editor's page. You can always email us with bigger concerns as well.
We very much hope you find a place to publish your work. Good luck.
The editors actively solicit writing that expresses the values of Chautauqua Institution broadly construed: a sense of inquiry into questions of personal, social, political, spiritual, and aesthetic importance, regardless of genre. We consider the work of any writer, whether or not affiliated with Chautauqua Institution, except for members of the Board of the Chautauqua Writers? Center unless solicited for special issues. The qualities we seek include a mastery of craft, attention to vivid and accurate language, a true lyric ?ear,? an original and compelling vision, and strong narrative instinct. Above all, we value work that is intensely personal, yet somehow implicitly comments on larger public concerns?work that answers every reader?s most urgent question: Why are you telling me this?
The Oxford American is a national magazine dedicated to featuring the very best in Southern writing while documenting the complexity and vitality of the American South. Billed as “The
IthacaLit is a quarterly online publication of poetry and visual art. Founded by Michele Lesko after she moved to Ithaca, New York. The journal is meant to represent Ithaca, home to Cornell University & Ithaca College as well as the mythical Ithaca and the journey we celebrate in finding a place in ourselves that represents home. We ask that you wander through our site & land where you feel at home then use that place to connect your work first to us & next to our readers. We publish work that brings readers home. We are searching not for distance but for connection through a clear and forthright voice & vision.
Pigeon Town is an online magazine that features articles, reviews, rants and *other non-fiction by writers across the globe. Tell it like it is. Nothing is off-topic. For information on how
In case you haven’t come across it, Slightly Foxed is a rather different kind of book review ? more like a bookish friend, really, than a literary periodical. Companionable and unstuffy, each
971 MENU is a purely online not-for-profit venture. We publish whenever we have enough work to justify an issue. That means five pieces. The minimum time between issues is thirty days, and attempts are made to coincide with the first of the month. We publish fiction and nonfiction of any length and sometimes accidentally other stuff. 971 MENU began in September 2006 as a publisher of fiction under 1000 words. We are pleased with our work, and we are quite pleased with the high-quality work we have been fortunate enough to publish, but we no longer limit ourselves in terms of length. However, your chance of seeing a thirty-page epic here is fairly slim. We still put out the short stuff, and some that’s a little bit longer.
REDzine is the first, and only, multicultural literature and art magazine of its kind at the University of Wisconsin-Madison. It is a nationally accredited, and distributed, journal in which works of art live harmoniously on the page with prose, poetry and featured interviews.
Southern California Review is the student-run literary journal of the Master of Professional Writing Program at the University of Southern California. We have been publishing fiction and poetry since 1982 and now also accept submissions of creative nonfiction, short dramatic forms, and artwork/photography. Printed annually with original cover artwork, every issue contains exciting work by both emerging and established authors. For more information, please visit us at http://www.usc.edu/scr.
The Hedgehog Review delivers insightful, accessible writing by scholars and cultural critics focused on the most important questions of our day: What does it mean to be human? How do we live with our deepest differences? When does a community become a good community? The transformations taking place in our world are rapid, far-reaching, and challenging. The Hedgehog Review provides resources for navigating these changes. ISSN: 1527-9677 UPC/Bipad: 74470 27522 Frequency: 3 times per year (Spring, Summer, and Fall) Pages per issue: 120 (varies) Cover price: $12.00 Subscription price: $25.00 one year (3 issues) $45.00 two years (6 issues)
The ‘Sealand Literary Supplement to Life’ is the umbrella name for a series of periodically published books and booklets dedicated to contemporary literature. We cater to the needs
The editors of the literary e-zine LEFT HAND WAVING are happy to announce a radical change in their submission guidelines. From now until further notice, we will be accepting poems and creative nonfiction dealing with the hard times, economic and political, that many in the United States and elsewhere are enduring. We see this as our small contribution to the Occupy Wall Street movement. We call it Occupy Poetry (and Other Writing). Submissions must be made through the portal to Submishmash found on our Web site, https://sites.google.com/site/lefthandwaving. Submissions received in any other manner or format will be discarded. Poems should be no more than 20 lines and creative nonfiction no more than 500 words. The editors hope to be surprised by your writing. They place a premium on freshness of language and perspective. They have little patience for the pedantic, dogmatic, or sophomoric. Submissions open Nov. 1, 2011, and continue through Dec. 1 We look forward to reading your work. Really.
The goals of Words Apart are twofold: discussion of real topics that affect us and presentation of art that reflects the complexity of life. We do not want to be hip. We do not want to be elitist. We want to be sincere. And most of all we want the literature we publish to represent single moments in a continuous dialogue, a dialogue that you are also a part of.
At Length is a venue for ambitious, in-depth writing, music, photography, and art that are open to possibilities shorter forms preclude. As a print-friendly online magazine, we create ways for readers, listeners, and viewers
Poecology is a new literary e-journal for poetry, fiction and nonfiction about ecology, place, and the environment. In an age of increasing disconnection from the physical world and the myriad communities of people, plants, animals and topographies, Poecology seeks to revitalize interconnectedness. The writing published here will meditate on ecological and place-based themes from various perspectives and aesthetics, pushing boundaries and experimenting whenever possible. Poecology publishes emerging and established writers from around the world. Each fall we will hold literary readings in the greater San Francisco Bay Area, where the journal is based. Please visit www.poecology.org for more information.
Creative Nonfiction is the voice of the genre. Published since 1994 as a journal, in 2010 CNF adopted a larger magazine format that combines new creative nonfiction about a variety of topics with columns and features about the art, business and craft of the genre. Recent issues have included interviews with or new work by Susan Cheever, Dave Eggers, Phillip Lopate, Lauren Slater, Ruth Reichl and other well-known writers, as well as several never-before-published writers.
Recent poems from Crazyhorse were selected for reprint in The Best American Poetry 2008 and 2007 and The Pushcart Prize anthology, recent fiction in The Best American Short Stories 2008. Richard Jackson’s poem
The Four Cornered Universe is an online journal which is dedicated to publishing high-quality fiction, poetry, and nonfiction essays. We publish 2-5 new pieces on Mondays. Submissions are considered on a rolling basis, and you should expect to hear back from us within a month. We accept previously unpublished authors as well as established ones. At this time, we do not provide financial compensation for accepted pieces. We simply provide authors with a place to showcase their talents and promote their writing.
Matter Press is a community-based, non-profit 501(c)(3) literary press that publishes an online literary journal (The Journal of Compressed Creative Arts), manages a compressed prose and poetry chapbook contest, and supports a regular reading series. Matter Press offers internships to Rosemont College MFA in Creative Writing & M.A. in Publishing alums and degree-candidates as submission readers, literary editors, and publication designers. Matter Press focuses on supporting emerging and established authors working with condensed forms of fiction, creative non-fiction, poetry, and visual arts.
Writers interested in contributing to n+1 should note that we come out only three times each year, and that most if not all of the slots available for a given issue will have been filled by the editors many months before publication. That said, if you would like to brave the odds, the best submissions guidelines are those implied by the magazine itself. Read an issue or two through to get a sense of whether your piece might fit into n+1.
Heavy Feather Review is an independent, biannual online journal dedicated to publishing the finest in short fiction, poetry, short comics, creative nonfiction, original photography/art, or any hybrid thereof. The HFR homepage sees updates on a rolling basis. These updates may include but are certainly not limited to: essays, guest posts, book reviews. Please review our guidelines before submitting. Questions? Insults? Publicity? Compliments? Email the editors at firstname.lastname@example.org.
While Studies Weekly has grown and changed, the principles that guided Paul Thompson in the creation of the first Studies Weekly publication still guide us today. American Legacy Publishing, owned and operated by Paul’s daughter and son-in-law, now produces each Studies Weekly publication with the same care and attention that has always characterized the Studies Weekly family of periodicals. At American Legacy Publishing, we know how dedicated teachers and administrators are to the education of America’s kids. Trust us to be just as dedicated as you are, and know that we pledge to continue to make Studies Weekly the comprehensive social studies and science solution for your classroom.
Literati Magazine is a literary magazine catering to the young urban reader. We publish short stories, poems, online novels, commentary, editorials, book reviews, music original drawings and original photography. Our target audience is young writers/artist between the ages of 16 to 40.