{"id":653,"date":"2023-10-14T02:03:06","date_gmt":"2023-10-14T02:03:06","guid":{"rendered":"http:\/\/www.everywritersresource.com\/poemeveryday\/?p=653"},"modified":"2025-09-21T01:38:38","modified_gmt":"2025-09-21T01:38:38","slug":"the-raven-by-edgar-allan-poe","status":"publish","type":"post","link":"https:\/\/www.everywritersresource.com\/poemeveryday\/the-raven-by-edgar-allan-poe\/","title":{"rendered":"The Raven by Edgar Allan Poe"},"content":{"rendered":"<h1 style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter wp-image-10094 lazyload\" data-src=\"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven.jpg\" alt=\"\" width=\"678\" height=\"678\" data-srcset=\"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven.jpg 1181w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven-300x300.jpg 300w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven-1024x1024.jpg 1024w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven-150x150.jpg 150w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven-768x768.jpg 768w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/09\/The-Raven-65x65.jpg 65w\" data-sizes=\"(max-width: 678px) 100vw, 678px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 678px; --smush-placeholder-aspect-ratio: 678\/678;\" \/><\/h1>\n<h2><b>Introduction to The Raven by Edgar Allan Poe<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">&#8220;The Raven&#8221; stands as one of the most haunting and influential poems in American literature. Written by Edgar Allan Poe and first published in 1845, this narrative poem weaves together elements of Gothic horror, profound grief, and psychological torment into an unforgettable lyrical masterpiece.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Set during a bleak December midnight, the poem follows a scholarly narrator mourning the loss of his beloved Lenore. In his chamber, weakened by sorrow and surrounded by books that offer no comfort, he encounters a mysterious raven that speaks only one word: &#8220;Nevermore.&#8221; This simple refrain becomes increasingly ominous as the narrator questions the bird about his own fate and the possibility of reuniting with Lenore in the afterlife.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Through its mesmerizing rhythm, intricate rhyme scheme, and rich symbolism, &#8220;The Raven&#8221; explores the human experience of grief and the way sorrow can transform into obsession. The raven itself becomes a powerful symbol of the narrator&#8217;s inability to escape his memories and the finality of death.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Poe&#8217;s masterful use of internal rhyme, alliteration, and repetition creates a musical quality that has captivated readers for generations, making &#8220;The Raven&#8221; not just a poem to be read, but an experience to be felt. Its influence continues to resonate throughout literature, music, film, and popular culture, cementing Poe&#8217;s legacy as one of America&#8217;s most distinctive literary voices.<\/span><\/p>\n<h1><\/h1>\n<h1 style=\"text-align: center;\">The Raven<\/h1>\n<p style=\"text-align: center;\">by Edgar Allan Poe<\/p>\n<p>Once upon a midnight dreary, while I pondered, weak and weary,<br \/>\nOver many a quaint and curious volume of forgotten lore\u2014<br \/>\nWhile I nodded, nearly napping, suddenly there came a tapping,<br \/>\nAs of some one gently rapping, rapping at my chamber door.<br \/>\n\u201c\u2019Tis some visiter,\u201d I muttered, \u201ctapping at my chamber door\u2014<br \/>\nOnly this and nothing more.\u201d<\/p>\n<p>Ah, distinctly I remember it was in the bleak December,<br \/>\nAnd each separate dying ember wrought its ghost upon the floor.<br \/>\nEagerly I wished the morrow;\u2014vainly I had sought to borrow<br \/>\nFrom my books surcease of sorrow\u2014sorrow for the lost Lenore\u2014<br \/>\nFor the rare and radiant maiden whom the angels name Lenore\u2014<br \/>\nNameless here for evermore.<\/p>\n<p>And the silken sad uncertain rustling of each purple curtain<br \/>\nThrilled me\u2014filled me with fantastic terrors never felt before;<br \/>\nSo that now, to still the beating of my heart, I stood repeating<br \/>\n\u201c\u2019Tis some visiter entreating entrance at my chamber door\u2014<br \/>\nSome late visiter entreating entrance at my chamber door;<br \/>\nThis it is and nothing more.\u201d<\/p>\n<p>Presently my soul grew stronger; hesitating then no longer,<br \/>\n\u201cSir,\u201d said I, \u201cor Madam, truly your forgiveness I implore;<br \/>\nBut the fact is I was napping, and so gently you came rapping,<br \/>\nAnd so faintly you came tapping, tapping at my chamber door,<br \/>\nThat I scarce was sure I heard you\u201d\u2014here I opened wide the door\u2014<br \/>\nDarkness there and nothing more.<\/p>\n<p>Deep into that darkness peering, long I stood there wondering, fearing,<br \/>\nDoubting, dreaming dreams no mortals ever dared to dream before;<br \/>\nBut the silence was unbroken, and the stillness gave no token,<br \/>\nAnd the only word there spoken was the whispered word, \u201cLenore?\u201d<br \/>\nThis I whispered, and an echo murmured back the word, \u201cLenore!\u201d\u2014<br \/>\nMerely this and nothing more.<\/p>\n<p>Back into the chamber turning, all my soul within me burning,<br \/>\nSoon again I heard a tapping something louder than before.<br \/>\n\u201cSurely,\u201d said I, \u201csurely that is something at my window lattice;<br \/>\nLet me see, then, what thereat is and this mystery explore\u2014<br \/>\nLet my heart be still a moment and this mystery explore;\u2014<br \/>\n\u2019Tis the wind and nothing more.\u201d<\/p>\n<p>Open here I flung the shutter, when, with many a flirt and flutter,<br \/>\nIn there stepped a stately Raven of the saintly days of yore.<br \/>\nNot the least obeisance made he; not a minute stopped or stayed he,<br \/>\nBut, with mien of lord or lady, perched above my chamber door\u2014<br \/>\nPerched upon a bust of Pallas just above my chamber door\u2014<br \/>\nPerched, and sat, and nothing more.<\/p>\n<p>Then the ebony bird beguiling my sad fancy into smiling,<br \/>\nBy the grave and stern decorum of the countenance it wore,<br \/>\n\u201cThough thy crest be shorn and shaven, thou,\u201d I said, \u201cart sure no craven,<br \/>\nGhastly grim and ancient Raven wandering from the Nightly shore\u2014<br \/>\nTell me what thy lordly name is on the Night\u2019s Plutonian shore!\u201d<br \/>\nQuoth the Raven, \u201cNevermore.\u201d<\/p>\n<p>Much I marvelled this ungainly fowl to hear discourse so plainly,<br \/>\nThough its answer little meaning\u2014little relevancy bore;<br \/>\nFor we cannot help agreeing that no living human being<br \/>\nEver yet was blessed with seeing bird above his chamber door\u2014<br \/>\nBird or beast upon the sculptured bust above his chamber door,<br \/>\nWith such name as \u201cNevermore.\u201d<\/p>\n<p>But the Raven, sitting lonely on that placid bust, spoke only<br \/>\nThat one word, as if its soul in that one word he did outpour<br \/>\nNothing farther then he uttered; not a feather then he fluttered\u2014<br \/>\nTill I scarcely more than muttered: \u201cOther friends have flown before\u2014<br \/>\nOn the morrow\u00a0<i>he<\/i>\u00a0will leave me, as my Hopes have flown before.\u201d<br \/>\nThen the bird said \u201cNevermore.\u201d<\/p>\n<p>Startled at the stillness broken by reply so aptly spoken,<br \/>\n\u201cDoubtless,\u201d said I, \u201cwhat it utters is its only stock and store,<br \/>\nCaught from some unhappy master whom unmerciful Disaster<br \/>\nFollowed fast and followed faster till his songs one burden bore\u2014<br \/>\nTill the dirges of his Hope that melancholy burden bore<br \/>\nOf \u2018Never\u2014nevermore.\u2019\u201d<\/p>\n<p>But the Raven still beguiling all my sad soul into smiling,<br \/>\nStraight I wheeled a cushioned seat in front of bird and bust and door;<br \/>\nThen, upon the velvet sinking, I betook myself to linking<br \/>\nFancy unto fancy, thinking what this ominous bird of yore\u2014<br \/>\nWhat this grim, ungainly, ghastly, gaunt, and ominous bird of yore<br \/>\nMeant in croaking \u201cNevermore.\u201d<\/p>\n<p>This I sat engaged in guessing, but no syllable expressing<br \/>\nTo the fowl whose fiery eyes now burned into my bosom\u2019s core;<br \/>\nThis and more I sat divining, with my head at ease reclining<br \/>\nOn the cushion\u2019s velvet lining that the lamp-light gloated o\u2019er,<br \/>\nBut whose velvet violet lining with the lamp-light gloating o\u2019er<br \/>\n<i>She<\/i>\u00a0shall press, ah, nevermore!<\/p>\n<p>Then, methought, the air grew denser, perfumed from an unseen censer<br \/>\nSwung by Seraphim whose foot-falls tinkled on the tufted floor.<br \/>\n\u201cWretch,\u201d I cried, \u201cthy God hath lent thee\u2014by these angels he hath sent thee<br \/>\nRespite\u2014respite and nepenthe from thy memories of Lenore!<br \/>\nQuaff, oh quaff this kind nepenthe and forget this lost Lenore!\u201d<br \/>\nQuoth the Raven, \u201cNevermore.\u201d<\/p>\n<p>\u201cProphet!\u201d said I, \u201cthing of evil!\u2014prophet still, if bird or devil!\u2014<br \/>\nWhether Tempter sent, or whether tempest tossed thee here ashore,<br \/>\nDesolate, yet all undaunted, on this desert land enchanted\u2014<br \/>\nOn this home by Horror haunted\u2014tell me truly, I implore\u2014<br \/>\nIs there\u2014<i>is<\/i>\u00a0there balm in Gilead?\u2014tell me\u2014tell me, I implore!\u201d<br \/>\nQuoth the Raven, \u201cNevermore.\u201d<\/p>\n<p>\u201cProphet!\u201d said I, \u201cthing of evil!\u2014prophet still, if bird or devil!<br \/>\nBy that Heaven that bends above us\u2014by that God we both adore\u2014<br \/>\nTell this soul with sorrow laden if, within the distant Aidenn,<br \/>\nIt shall clasp a sainted maiden whom the angels name Lenore\u2014<br \/>\nClasp a rare and radiant maiden whom the angels name Lenore.\u201d<br \/>\nQuoth the Raven, \u201cNevermore.\u201d<\/p>\n<p>\u201cBe that our sign of parting, bird or fiend!\u201d I shrieked, upstarting\u2014<br \/>\n\u201cGet thee back into the tempest and the Night\u2019s Plutonian shore!<br \/>\nLeave no black plume as a token of that lie thy soul has spoken!<br \/>\nLeave my loneliness unbroken!\u2014quit the bust above my door!<br \/>\nTake thy beak from out my heart, and take thy form from off my door!\u201d<br \/>\nQuoth the Raven, \u201cNevermore.\u201d<\/p>\n<p>And the Raven, never flitting, still is sitting, still is sitting<br \/>\nOn the pallid bust of Pallas just above my chamber door;<br \/>\nAnd his eyes have all the seeming of a demon\u2019s that is dreaming<br \/>\nAnd the lamp-light o\u2019er him streaming throws his shadows on the floor;<br \/>\nAnd my soul from out that shadow that lies floating on the floor<br \/>\nShall be lifted\u2014nevermore!<\/p>\n<h2>Summary<\/h2>\n<p class=\"whitespace-pre-wrap\">The poem&#8217;s unnamed narrator is alone at night feeling sad and weak as he pores over old books. As he is about to fall asleep, he hears a tapping at his chamber door. He opens the door to darkness and whispers the name \u201cLenore,\u201d whom the reader presumes to be his departed lover. The tapping continues, now at his window, but it turns out to only be a raven who flies into the room and perches above the narrator&#8217;s door.<\/p>\n<p class=\"whitespace-pre-wrap\">When the raven refuses to leave and continuously croaks the word \u201cNevermore,\u201d the narrator begins asking it questions, growing distraught at its ominous responses. He asks if he&#8217;ll be reunited with Lenore in Heaven but the raven simply responds \u201cNevermore,\u201d devastating the narrator.<\/p>\n<p class=\"whitespace-pre-wrap\">The narrator grows angry and tells the raven to leave, but it refuses. His soul is tormented by the bird&#8217;s persistent presence and grim pronouncement that he&#8217;ll never see Lenore again. In the end, the raven remains perched above his chamber door, casting a shadow on the floor, a sad symbol that the narrator&#8217;s grief will also remain.<\/p>\n<p class=\"whitespace-pre-wrap\">Key themes include grief over the death of a loved one, loneliness, despair, melancholy, the supernatural, and the burden of painful memories. The raven and its haunting refrain of \u201cNevermore\u201d symbolize the narrator&#8217;s profound sorrow and sense of loss.<\/p>\n<h2><strong>\u00a0A Personal Note<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">When I was in high school, I used to carry around <\/span><i><span style=\"font-weight: 400;\">The Complete Works of Poe<\/span><\/i><span style=\"font-weight: 400;\"> like it was a lifeline. I didn\u2019t care much for high school itself, but I loved getting lost in the dark, brilliant world of Edgar Allan Poe. Later, when I became a teacher, I squeezed as much Poe into the curriculum as I possibly could. <\/span><i><span style=\"font-weight: 400;\">The Raven<\/span><\/i><span style=\"font-weight: 400;\">, especially, feels like a perfect gateway into literature\u2014it has that eerie pull that grabs students if it\u2019s taught the right way. Honestly, any high schooler could fall in love with <\/span><i><span style=\"font-weight: 400;\">The Raven<\/span><\/i><span style=\"font-weight: 400;\"> under the right guidance. It\u2019s haunting, historic, probably Poe\u2019s greatest poem, and somehow still feels fresh today. It&#8217;s more than just a classic\u2014it\u2019s a pop culture icon.<\/span><\/p>\n<p><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/bLiXjaPqSyY?si=QFwXlJf9QBRGd3sg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<h2><b>The Raven in Popular Culture<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Poe&#8217;s masterpiece has cast its shadow far beyond literature, embedding itself deeply in the tapestry of popular culture. Perhaps most memorably, &#8220;The Raven&#8221; received an iconic treatment in a 1990 Halloween episode of &#8220;The Simpsons,&#8221; where James Earl Jones narrated the poem while Homer portrayed the tormented narrator, with Bart as the raven itself\u2014introducing countless viewers to Poe&#8217;s work through clever animation and humor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The poem&#8217;s influence extends throughout film and television, from direct adaptations to subtle references. In 1963, Roger Corman directed &#8220;The Raven,&#8221; a horror-comedy starring Vincent Price, Peter Lorre, and Boris Karloff\u2014taking considerable liberties with the source material but cementing its place in cult cinema. Literary allusions to the poem appear in works ranging from Stephen King novels to Neil Gaiman&#8217;s &#8220;Sandman&#8221; comics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Musicians across genres have drawn inspiration from &#8220;The Raven,&#8221; with Lou Reed dedicating an entire concept album to Poe&#8217;s works. Metal bands particularly embrace its gothic elements, while hip-hop artists sample its rhythmic cadence. The NFL team Baltimore Ravens\u2014named in honor of Poe&#8217;s connection to the city\u2014keeps the poem in contemporary sports consciousness, with their mascots &#8220;Edgar,&#8221; &#8220;Allan,&#8221; and &#8220;Poe&#8221; delighting fans on game days.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Even in the digital age, &#8220;The Raven&#8221; maintains its relevance through memes, social media references, and creative reinterpretations\u2014proving that over 175 years after its publication, the bird&#8217;s haunting &#8220;Nevermore&#8221; continues to echo throughout our cultural landscape.<\/span><\/p>\n<h1><b>Analysis of The Raven<\/b><\/h1>\n<p><span style=\"font-weight: 400;\">&#8220;The Raven&#8221; walks a tightrope between sanity and madness. The nameless narrator, consumed by grief for his lost Lenore, encounters a talking bird that seems to know exactly what will hurt him most. With each stanza, Poe tightens the psychological screws.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What makes the poem stick with you isn&#8217;t just the spooky talking bird. It&#8217;s how Poe captures that spiral we fall into when grieving\u2014how we torture ourselves with impossible questions. The narrator knows the bird can only say one word, yet he keeps asking questions where &#8220;Nevermore&#8221; is the most devastating possible answer. He&#8217;s punishing himself, and we watch it happen in real time.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The technical elements feel effortless despite their complexity. The poem has this hypnotic quality\u2014all those internal rhymes and repeating sounds that pull you deeper into the narrator&#8217;s obsessive thinking. Poe described writing poetry as almost mathematical, but there&#8217;s nothing cold about this poem. Each &#8220;Nevermore&#8221; lands like a hammer blow.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I&#8217;ve always thought the setting itself is half the poem&#8217;s power\u2014that claustrophobic chamber at midnight, books everywhere, dying embers, purple curtains rustling. It&#8217;s both real and dreamlike, making us question if this raven is real, supernatural, or just a hallucination born from grief.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By the end, when the narrator sits forever in the bird&#8217;s shadow, you get it on a gut level\u2014some losses change us permanently. That shadow on the floor is grief itself, and sometimes it really doesn&#8217;t lift. That&#8217;s why the poem endures\u2014it tells an uncomfortable truth about the human heart that we recognize instantly.<\/span><\/p>\n<h2>Bio<\/h2>\n<p class=\"whitespace-pre-wrap\"><img decoding=\"async\" class=\"wp-image-91 alignright lazyload\" data-src=\"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/01\/Edgar_Allan_Poe_portrait_B.jpg\" alt=\"\" width=\"340\" height=\"462\" data-srcset=\"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/01\/Edgar_Allan_Poe_portrait_B.jpg 400w, https:\/\/www.everywritersresource.com\/poemeveryday\/wp-content\/uploads\/2010\/01\/Edgar_Allan_Poe_portrait_B-220x300.jpg 220w\" data-sizes=\"(max-width: 340px) 100vw, 340px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 340px; --smush-placeholder-aspect-ratio: 340\/462;\" \/>Edgar Allan Poe (1809-1849) was an American writer, poet, critic and editor best known for his tales of mystery and horror. He is considered a central figure in the American Romantic movement and was one of the first American practitioners of the short story.<\/p>\n<p class=\"whitespace-pre-wrap\">Poe was born in Boston to actress Elizabeth Arnold Hopkins Poe and actor David Poe Jr. His father abandoned the family when Poe was a toddler and his mother died of tuberculosis when he was two, leaving him orphaned. He was taken in by the wealthy tobacco merchant John Allan and his wife Frances in Richmond, Virginia.<\/p>\n<p class=\"whitespace-pre-wrap\">Though never formally adopted, Poe took Allan as his middle name. He had a strained relationship with John Allan who did not support his literary ambitions. As a young man Poe attended the University of Virginia but was forced to drop out due to lack of funds.<\/p>\n<p class=\"whitespace-pre-wrap\">His publishing career began in 1827 with the poetry collection Tamerlane and Other Poems. In 1835 he became editor of the Southern Literary Messenger in Richmond. He later lived in Philadelphia working as editor for magazines like Burton&#8217;s Gentleman&#8217;s Magazine and Graham&#8217;s Magazine.<\/p>\n<p class=\"whitespace-pre-wrap\">It was during this time that Poe established himself as a critical reviewer and published many of his most famous stories, including &#8220;The Fall of the House of Usher,&#8221; &#8220;The Tell-Tale Heart,&#8221; &#8220;The Pit and the Pendulum,&#8221; and &#8220;The Murders in the Rue Morgue.&#8221;<\/p>\n<p class=\"whitespace-pre-wrap\">Known for his Gothic, macabre themes and melancholic tone, Poe pioneered the modern detective story and helped define early science fiction. He married his cousin Virginia Clemm in 1836 who died of tuberculosis in 1847. Poe himself died under mysterious circumstances at the age of 40 in 1849.<\/p>\n<p class=\"whitespace-pre-wrap\">Though not widely recognized during his lifetime, Poe&#8217;s stories and criticism have had a profound and lasting influence on American and international literature. He is now considered one of the most significant writers of the 19th century.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The poem&#8217;s unnamed narrator is alone at night feeling sad and weak as he pores over old books. As he is about to fall asleep, he hears a tapping at his chamber door. He opens the door to darkness and whispers the name \u201cLenore,<\/p>\n","protected":false},"author":1,"featured_media":10095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4,20,418],"tags":[],"class_list":["post-653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1800s","category-edgar-allen","category-halloween-poems"],"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/posts\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":0,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/posts\/653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/media\/10095"}],"wp:attachment":[{"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/media?parent=653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/categories?post=653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.everywritersresource.com\/poemeveryday\/wp-json\/wp\/v2\/tags?post=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}