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Writing Tips

Should you take an Online Writing Course?

February 27, 2017 by admin 2 Comments


To the point:


Will an online writing course hurt you? No. Most of the time they are taught by experienced professionals. Will an online writing course help your writing? In most cases, it will. Is it better than a face to face writing course taught by a professional? No. It is better than an amateur writers group? Yes.

 

All about the point:

I’m writing this article from 3 standpoints. First as a writer who has needed help in writing, taken workshops at a university, online courses, and workshops in non-formal settings like writers groups. Second as an editor who has taken submissions of fiction and poetry for various magazines and online publications for the last 14 years, and as an educator who teaches writing.

There are really two problems writers will have in their writing. The first is flow, and the second is control. These are the two problems that are always being addressed as a teacher and a writer. The questions here are: How you get the words out, and when it comes out how well is it controlled? If you write enough for an assignment or “how much the story demands” your control is okay. If you have a good handle on grammar and diction, you’ve got your control under, well, control.

 

University writing courses

What does a university writing course look like? Well, it looks like any other writer’s workshop, for the most part. Everyone hands in a piece of writing, everyone comments on the writing, and a moderator (Prof) looks after what people are saying. He or she also gives assignments that might help the group’s writing. For instance, “Read this story on page 72. It’s flash fiction. We are going to look at why the author picked certain words in the story to cause this reaction in the reader” so on and so forth. That’s all it is.

 

Online writing courses

You are given assignments. You hand in writing. People critique it. It is essentially the same as an in-person workshop course at a university. What’s missing? Face to face interaction. Do you need it? Well that depends.


Will taking an online writing course hurt your writing?

NO! You’re not going to hurt your writing. A lot of people think if you get bad advice, it will ruin your writing. Nonsense. As a writer you already have writing in you. You might write poetry, fiction, novels, whatever, but you also have a built in: “what I like what I don’t like detector.” If a literary writer tells you, “You can’t have a character say that. It sounds fake!” You might have read that same line in a dozen scifi novels (you’re a scifi writer in this scenario), and you’ll take the advice, think about it, and probably throw it out. Nothing is going to hurt your writing. If you really want to be safe with your writing, read a lot. That will shape what you write much more than what anyone tells you.

In most cases, writing genre or literary translates just fine where advice is concerned. For instance, action defines character. This is a piece of advice I got 15 years ago. It stuck with me, and I believe it to be very true. What a character does will define him or her better than all the thoughts that come out on the page. If he is not a killer, but he goes around killing people, the action will define him as a killer. This piece of advice really translates to just about any genre you write in.

Your writing will be fine, you can take a course, you’re not going to damage your writing.

Do I think you should take an online writing course?

Control Problems

Should you take an online writing course? That depends on what problems you have in your writing, and what you want to accomplish. If you have a control problem, grammar, making decisions for your word choice, getting kinks out, stuff like that then yes, an online writing course can help you.

If the Prof makes changes and sends those changes back saying, “When you write ‘should have went’ make sure it is in a dialect and not in your narration. The correct usage is ‘Should have gone,’” it will help you. If you’ve never taken a writing course, and you’ve only had the traditional high school courses, you most-likely have some dialect or some gap in your grammar that needs be dealt with. Can you write in a dialect and be successful? Certainly. But you need to make sure that you know what you are doing when you are doing it. If you don’t, it will look like a grammatical error and an editor will throw it out!

The number 1 reason I have tossed submissions in all my time as an editor is grammar errors. They will kill a piece in the eyes of your editor. If you don’t know they are there, you can’t fix them. Even the best of the best have editors that help them with this.

Flow problems

If you have a flow problem in your writing that means, usually, you have writers block, or you’ve run into an inspirational wall. Will an online writing course help? It might, and it might not. Assignments might be given to you, that you are forced to write, that you find knocks the flow problem free, and the next thing you know you are writing like crazy. This has happened to me a couple times. The cure for writers block, many times is more writing, on subjects you didn’t think about before.

If your problem is in inspiration, a writing course will be hit and miss. You might find that someone in the course writes something that really inspires you to write This happens to me all the time in my writers group, but it is not a sure thing. It might be better for you to go on a walk, see some trees, go to a lake or somewhere you are inspired, and that might help.

 So to answer the question: Should you take an online writing course?

Should you take an online writing course? I would say in most cases it will be beneficial. It can help. It might not solve all your problems, but I believe over all it will make you a better writer. Is it better than taking a face to face writing course? Most of the time no. If you have the time to physically go to a room, with some people and take a course with a professional, do it.

One warning: Make sure if you are taking a COURSE for help, to improve your writing that the person teaching it is a professional with experience in writing. Their experience in writing will help them understand where you are coming from. If you are in a writers group, and the people are armatures, I would advise that you double check any control problems (like grammar and the like) that they give you advice on.

Editor’s Note: This article was updated and moved from another page on our site. It is the same content. The old page was from our old html pages, this is our new blog. Hope it’s helpful.

Filed Under: Articles On Writing, Writing Tips

Naming Fictional Characters

February 22, 2017 by admin Leave a Comment

Naming Fictional Characters

Naming Fictional Characters

Advice from an Ultracrepidarian

I’ve named my way into a dilemma. Leonard Legasse has been the main character in the four novels I’ve written. In three of them, it is the same character. But not in the fourth and, wouldn’t you know it? – it’s the first one that’s been accepted for publication. This is my best advice on naming fictional characters.

Technically, it’s easy to change names. In Word: “Find – Replace All.” But I love Leonard. He’s been with me for six years. Len, Lenny, Leonard – liquid on the tongue, luscious, lewd, languid,  and his love interest Lydia. L’s lingering sound is softer than most consonants, weightier than vowels. I’ve postponed a serious search until one of these three novels finds a publisher.

Picking the “right” names for characters is challenging. Just ask Tolstoy. “Hey, Leo. In War and Peace, why’d you do it? I mean: Dolgorukov, Dokhturov, Dolokhov, and Dolokhova? Seven Rostovs and Rostovas? Even two Tolstoys. 183 names, some a block long.”

Oy! We don’t need an answer. If you plan to publish today, you’d better trim the head count. Still doesn’t make it easy. The first draft of my book Death Postponed had 80 named characters. Nobody would read it. I might be a slow learner, but the tenth and final draft, the one that’s been published, has 25.

Another mistake: When I based characters on people I knew, I used their names to help me keep them in mind, intending to change them later – which I did. But it got confusing. I’d forget I made the change or what the new name was. Finally, I made a list of the changes, referred to it, and used the find and replace feature to straighten it all out at the end. Now I use names I don’t have to change – except Leonard and Lydia.

Authors have varying methods for naming characters. Choices are shaped by ethnicity, religion, culture, and historical time period, of course. But even with these constricts there are still thousands of choices.

How does one choose suitable names?

The process is subjective, but there are articles that attempt to help: “The 7 Rules of…” “8 Tips for…” “How to choose…” The following give differing but overlapping advice.

http://nybookeditors.com/2016/04/how-to-choose-character-names/   Includes links to character name generators. If you use Scrivener, you already have one.

http://thescriptlab.com/screenwriting/character/creating-characters/684-name-that-character-top-ten-tips  Practical advice.

http://jodyhedlund.blogspot.com/2015/11/8-tips-for-picking-meaningful-character.html  Reader comments expand the discussion to include genre and historical fiction.

My Process

I confess that I never studied how to select names and none of the many writing workshops I’ve attended covered the subject, but critiques have helped. In my crime novel, Bob became Salvatore and Joe became Giuseppe, which better fit their characters and are easier to remember.

Since my novels are set in New York in recent times, I narrowed my choices down to the 5494 first names (1219 male. 4275 female.) found in the 1990 US Census: http://names.mongabay.com/male_names.htm

I picked dozens of familiar names from the middle of the lists to eliminate the too popular ones, then I whittled them down as I matched them with various surnames. (Note: not all names can be found on the census list. While it contains “Gus” and “Gustavo” they omitted my name Gustaf as well as the more common “Gustav” and “Gustave.”)

I looked elsewhere for surnames because there are 50,000 in the US Census. For many characters, ethnicity drove my search, so I consulted much smaller lists, ones with Italian and Jewish names for example, easily found online.

For Death Postponed, I picked names which seem to fulfill much of the advice in the articles referenced above. Sheer coincidence. My criteria was they all had to sound right, fit the character, and be sufficiently unique from one another that a reader wouldn’t be confused.

Salvatore and Camille Palermo. Giuseppe “The Bishop” Romano. Benny “The Book” Boginski. I think you get a whiff of character from these names. For balance, throw in Ted and Bunny Lipman, Sharon Hatfield, Abby Legasse and Jordan Marshfield. Familiar, but not common names, and a lot easier to remember than Tolstoy’s minions.

Naming demands a lot of searching plus time to process and let the subconscious play. When the ensemble grows, it brings further name jostling. Finding names is an art. If it sounds right (always read your work aloud) and feels right, go with it.

      A few more ideas:

  • One author sends drafts of his work in progress to friends, who bid for the right to name minor characters. He donates the proceeds to the bidders’ charities of choice.
  • Another labels characters with a code (eg. MC1 for main character) and assigns names once they’re fully developed.
  • An author of historical fiction finds names in New England graveyards, obituaries, and books written during the time of the story.
  • Name dictionaries contain origins and meanings. Handy for crosschecking appropriateness.
  • I’ve used names which are anagrams. Eg. Kermit Remkit, Margie Mirage, Elbert Treble. These appeared in a comedic short story. Find anagrams at http://wordsmith.org/anagram/

(Thanks to Arlene Kay, Alan Milner, and Elizabeth Cole Sheehan for their contributions.)

Gustaf Berger, author Death Postponed 

Filed Under: Articles On Writing, Writing Tips

5 Tips To Writing The Story Of Your Own Life

February 16, 2017 by admin 2 Comments

5 Tips To Writing The Story Of Your Own Life

5 Tips To Writing The Story Of Your Own Life

It seems incredibly easy to write about yourself. You know exactly what has happened and many events are very important to you. But if a good memoir could result from simple enumerating and describing of events, anyone would do it. Any person can tell about their life, but the point is to make it interesting to the reader. Here are some tips on what you should do if you are eager to prove that you are a real memoir writer.

#1 Try to Make a Difference
Sometimes, it happens that a story of someone’s life is much more exciting than any fictional one. Don’t think that your life is quite ordinary. Anyone has a unique experience and anyone is able to make it work for others. The point here is to put it in the right words and believe in yourself. We have plenty of vivid examples when memoirs by renowned authors didn’t interest the audience. We also have other examples when people of really great professions, such as astronauts, scientists, and artists, have made the stories of their lives the bestselling masterpieces. Even those whose lives are quite common are able to find their ways to reach the reader.

#2 Never Write for Money
A writer as a profession is very inspiring today. The times when once a popular writer could be penniless and die in oblivion are long gone. Today’s famous writers are wealthy and influential. That is why more and more people try to become writers. Some of them mistakenly choose memoir as ‘the easiest genre.’ Moreover, their initial goal is to sell their stories but not to convey anything to the reader. The overwhelming majority of such ‘writers’ get really disappointed with the result. So do their readers.

#3 Mind the Structure
There are many stories of real people’s lives that start like ‘I was born…’ Even if you decide to build your plot as a timeline, you have to expose your ideas at the beginning. Otherwise, readers will see it as a typical sequence of facts. Your story is to have a clear introduction and the development of the plot. The climax must be the most difficult part of such story. Because, unlike those of many fictional characters, your story has not ended yet. So, one of the main tips to write the story is to make the climax correspond to your main idea.

#4 Find the Main Theme and the Main Idea
Yes, the story is about what happened to you. But this is not nearly enough for the central theme. Try to be as specific about who you are as you can. From the first lines of your story make it clear why you’re worth reading about. For example, you run your own business. Put it as following ‘the one who managed to do something’ or ‘the one who faced particular circumstances.’ You have to stand out from the crowd. Don’t try to be superior or wiser than most people. It is not actually you who should teach readers something but your experience. The way you faced it and the conclusions you’ve made are to be the basis of your main idea, which is an initial part of your life story telling. Even the driest CV has the main idea, that is you’re good for the job, for example. The main idea in literature is different, but it is as important. It is a hard task to work it out. It can correspond with the thoughts the reader already has. But your arguments and standpoint are to be original. It only seems that it is impossible to copy someone else’s work when you write your own story. All the people are different for sure, but their ideas can be quite similar. Try to find your own opinion before you start writing.

#5 Live Your Life as if You Are Writing a Story
Presumably, you have something to write about now, but a person never stops developing. Your decision to write a story of your life is a great step forward, but it shouldn’t be your ultimate goal. Remember, you can write more new stories after this one is finished. It’s only up to you what it’s going to be like. Take new chances. Don’t wait for your memoir to be a bestseller. You can still succeed if it fails. On the other hand, if it doesn’t, don’t stop at the top! Seek new experiences and create new stories.

Even professional writers can struggle with writing their own story. First of all, it’s quite private, and some are not sure what they can reveal and what they should hide. Secondly, when the idea of a fictional novel comes to you, alongside it comes the plot. When you write a memoir, the sequence is quite the opposite. Besides, the lack of self-confidence can prevent many writers from picturing their lives. The task is really hard. But knowing the basics of the genre, creating a good plot, and believing in yourself will help you get into the exciting and diverse world of autobiographical literature.

Sophia Clark graduated from the University in the City of New York with B.A. in Journalism, 2011. She is a creative writer from New York who loves to share her thoughts with readers. In her free time, she enjoys writing fiction as well as reading it. Her big dream is to publish a novel one day.

Filed Under: Articles On Writing, Writing Tips

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