Heritability by Laura LeHew

I met you when I was 40
I met you because I was the black sheep of the new family
I met you because you were the black sheep of the old family
I met you at a Denny’s

Heritability

for Don LeHew 1947 -2010
by Laura LeHew

I met you when I was 40
I met you because I was the black sheep of the new family
I met you because you were the black sheep of the old family
I met you at a Denny’s
I met you without knowing what you looked like
and when you walked in I knew you were my brother
I met you and you were wearing the same red Hawaiian shirt dad had
I met you and you told the same joke dad told before I left
I met you and you asked me why dad loved me and not you
I met you and you asked me what you had done that was so bad
I met you with silence a night moth lodged obsidian in my tongue
Later I sent you poems about a father who never loved his daughters
I sent you poems about a father who never loved his wives
I sent you poems about addictions, unknowing aunts, bruises
I sent you poems about love and the death of my cat Topaz
and your cat Topaz had just died
and you picked up the phone and called
and you told me to never live with regret
and you promised you’d come for a visit
but then a stranger called to tell me you would not

###
Laura LeHew has won state and national awards including residencies from Soapstone and MAR. Her poems appear in Atticus Review, Eleven Eleven, FutureCycle: American Society: What Poet’s See, PANK and Spillway a Poetry Magazine. Collections: Beauty (Tiger’s Eye Press), It’s Always Night, It Always Rains (Winterhawk Press) and forthcoming spring 13 Willingly Would I Burn (MoonPath Press). Laura received her MFA from CCA. Former president of the Oregon Poetry Association www.oregonpoets.org she recently joined the board of CALYX journal http://www.calyxpress.org/. Laura writes, edits her small press Uttered Chaos and sharpens her claws in Eugene, Oregon www.utteredchaos.org.

Drinking Rum on the Shore by Fahredin Shehu

Born in Rahovec, South East of Kosova, in 1972. graduated at Prishtina University, Oriental Studies. M.A. in Literature. PhD in Sacral Esthetics- ongoing.

Actively works on Calligraphy discovering new mediums and techniques for this specific for of plastic art.

Baiting by James Sholes

Drinking Rum on the Shore

by Fahredin Shehu

 

Everything is becoming mysterious:
The feathers of the raven and the gems
From the depths of the earth
Men and Women alike wandering
What is holy and what profane
Repertoire of outrageous sounds

The sea-foam bringing corpse of sometime
Creatures full of life- red corrals and spawn
Of whales with the smell of Ocean’s basement

The elders on the shore sitting
Having small glasses of Rum
Rolling the dice; who shall
Better host the Death; while she
Awaits for the bed where to nap
For a while; undressing her aquamarine
Brocade and heavy accessories from
The metals of the seven mountains
Of the heart
and the odor she releases
Allures even the most agnostics
And disbelievers
She is calm and tranquil
As potent as Queen but she
Dares not to knock
On the door of the orphan
I see she has compassion for me
Or perhaps she isn’t ordered yet
To kiss me in the forehead
Where the blood-spots draw
The constellation of Sagittarian

I invoke the name of Mother
And summon spirits of the distant earths
Since the celebration started, when

The banquet is set up by the grand breasts
Nymphs- Apsaras
If there’s a Paradise somewhere
It descended here so I become
Dead before death that happens
In a blast of a moment and
In trillion’s part of millimeters
Where another dimension is experiencing
A diffusion of a new Big Bang and
Supernovas- cosmic babies are
Milked by Mother I call in
My dwelling- a serene settlement
Of us  all of us
Who never got enough of Love
Who once learned to Love
Never is unaccustomed to Love not
###
Born in Rahovec, South East of Kosova, in 1972. graduated at Prishtina University, Oriental Studies. M.A. in Literature. PhD in Sacral Esthetics- ongoing.

Actively works on Calligraphy discovering new mediums and techniques for this specific for of plastic art.

Certified expert in Andragogy/ Capacity Building, Training delivery, Coaching and Mentoring, Facilitating etc.

In last ten years he operated as Independent Scientific Researcher in the field of World Spiritual Heritage and Sacral Esthetics.

 

 

wait by Kanchan Chatterjee

she reads tarot cards
got a great smile too

30 X 15 oil 2010 by Lyanda Warne

wait

by Kanchan Chatterjee

she reads tarot cards
got a great smile too

as she shuffles
the cards
intently

I look
out of her
10th floor3 BHK
apartment

the Sunday evening traffic
floating by
silently…

she’s ready now

the incense sticks are
burning alright

the time has come

I ask my question
and wait..

How to Lose a Friend by Fiona Sinclair

If we were blokes, the crime would be cancelled
with punch up and pint.
But in a Bluewater coffee shop

How to Lose a Friend

by Fiona Sinclair

 

If we were blokes, the crime would be cancelled
with punch up and pint.
But in a Bluewater coffee shop
your PhD brain sinks too deep a shaft for my shallow poem.
The tribute of Maria Antoinette wedge wood figurine
misinterpreted not as a beauty but a bitch.
I’m a little bit offended grows like an aggressive cancer
in shoe shops as you examine brogues,
whilst I try to scratch out the evidence with blunt excuses.
Delivering you home, I feel a cold draft
as you slam the car door against me.
Months tallying your phone silence,
deterred from calling myself by the guard- dog husband.
Then at Christmas a Best wishes from the family.
Now, the merest jolt triggers memories of
high heels and hats for twin birthday treats,
a phone call at 8.30 stirs false hope,
fluffy cardy on a clothes rail prompts Oh she would like this.
Despite heart to hearts with a new friend,
and raucous nights out with another,
I find that there is no under-study for your friendship.

###
Fiona Sinclair’s work has appeared in numerous publications. Her second pamphlet A Game of Hide and Seek is due out in May from Indigo Dreams Press. She is the editor of the online poetry magazine Message in a Bottle.

Hallowe’en by Joel Benton (1896)

Pixie, kobold, elf, and sprite
All are on their rounds to-night,
In the wan moon’s silver ray

Hallowe’en

by Joel Benton (1896)

Pixie, kobold, elf, and sprite
All are on their rounds to-night,
In the wan moon’s silver ray
Thrives their helter-skelter play.

Fond of cellar, barn, or stack
True unto the almanac,
They present to credulous eyes
Strange hobgoblin mysteries.

Cabbage-stumps straws wet with dew
Apple-skins, and chestnuts too,
And a mirror for some lass
Show what wonders come to pass.

Doors they move, and gates they hide
Mischiefs that on moonbeams ride
Are their deeds, and, by their spells,
Love records its oracles.

Don’t we all, of long ago
By the ruddy fireplace glow,
In the kitchen and the hall,
Those queer, coof-like pranks recall

Eery shadows were they then
But to-night they come again;
Were we once more but sixteen
Precious would be Hallowe’en.

Laundry by Annemarie N’ Churre’in

Here in the Indian foothills,
I share a house with a man from Greece

Laundry

by Annemarie N’ Churre’in

Here in the Indian foothills,
I share a house with a man from Greece

who speaks no English perfectly,
disappears for days on a motorbike,

leaves his laundry on the low make-shift line,
grieving an absent sun.

Side by side they hang: his shirt, my summer dress
as if they know each other well

and when he returns, smelling of engine oil,
monsoon, rolled brown cigarettes,

we have no formal language
to share our separate joy.

Drip-drip on the balcony,
a queer, white pool gathers below.

He holds at a sleeve, looks to sky.
I open my palm for signs of rain.

###

Annemarie completed an M. Phil in Creative Writing at the Oscar Wilde Centre, Trinity College Dublin. Her poems have been published widely in Ireland and the UK and have appeared in Poetry Ireland Review, Stinging Fly, The SHOP, The London Magazine, Agenda Magazine and The Morning Star. In 2011, she was short-listed for the UK Erbacce Poetry Prize. Annemarie lives in Dublin and is currently completing her first poetry collection. She is contactable at Creativeceardlann@gmail.com

Finding Myself by A. Molotkov

my whale self floats
as mountains
crouch underneath

Finding Myself

by A. Molotkov

 

my whale self floats
as mountains
crouch underneath

my bird self
hops from branch to shaking branch
tweeting in wonder

my wolf self
breathes dark elegy
and forgets to sleep

my insect self
leaps around nothingness
flirting with fire

may my human self
stay alert and humble
at the edge of these mysteries

###

Born in Russia, I moved to the US in 1990 and switched to writing in English in 1993. I am the winner of the 2010 New Millennium Writings and the 2008 E. M. Koeppel fiction awards, as well as the 2011 Boone’s Dock Press poetry chapbook contest for my True Stories from the Future. I’m a 1st place winner in Oregon Poetry Association’s 2012 contest. Another poem recently won a contest for a permanent installation in a new Kaiser Permanente medical office building in Oregon. The End of Mythology, a collaborative poetry chapbook co-written with John Sibley Williams, is coming out this year from Virgogray Press. My fiction and poetry has appeared in over 60 publications, both in print and online, and received two Pushcart nominations. My work in other art forms has also been well received. I run the Moonlit Poetry Caravan critique group in Portland and serve as this year’s guest editor for Toe Good Poetry.

Read more of A. Molotkov at www.AMolotkov.com

Hallowe’en by A. F. Murray

A gypsy flame is on the hearth,
Sign of this carnival of mirth.

Hallowe’en by A. F. Murray

(First appeared in Harper’s Weekly)

A gypsy flame is on the hearth,
Sign of this carnival of mirth.
Through the dun fields and from the glade
Flash merry folk in masquerade
It is the witching Hallowe’en.

Pale tapers glimmer in the sky,
The dead and dying leaves go by;
Dimly across the faded green
Strange shadows, stranger shades, are seen
It is the mystic Hallowe’en.

Soft gusts of love and memory
Beat at the heart reproachfully;
The lights that burn for those who die
Were flickering low, let them flare high
It is the haunting Hallowe’en.

Dinner with Rousseau by Cynthia Lewis-Jones

Fine dining in a clearing in the Jungle
Nude, but for my Peacock Choos
Sitting at the table

Dinner with Rousseau

(in Memory of Henri Rousseau, artist)

by Cynthia Lewis-Jones

 

Fine dining in a clearing in the Jungle
Nude, but for her Peacock Choos
Sitting at the Table
Covered in Crisp White Linen Cloth
Laid, with Silver Knives and Forks
Wine Glasses of Red Lilly Petals
With Long Green Stems
A tigers head parts the Foliage
Regarding her from his Leafy Lair
The Sommelier in Suit lights the Candles
And recommends
While Monkeys Smirk, and Stare
And, leaves, like flames, lick her skin
The wine is served
And the Hors d’oeuvres brought in
The Parrot tells her that the main course is worth the wait
Entrecote with Mustard Sauce, served on a bed of Mache
Out walks Rousseau in Black, with Silver Tray
Desert
Green Tea Ice Cream
On a bed of Bamboo Leaves
Et un Petit Cafe

The Gone by Amit Parmessur

January afternoon after school

Grandmother sick at heart

The Gone

by Amit Parmessur

January afternoon after school

Grandmother sick at heart

Rain splashing and ringing like
blood-stained bullets on ground

Grandmother’s blinking eye seeing doom

Her words to me
grass to a hungry lion

Grandfather, lately, just a
snowflake in her haggard hands!

To grow three oak trees in farthest desert
He once promised her

Countless grogs swinging in stomach
he slips

He yells

He flies

Down ravine

Neck gets broken in a drumstick tree

Now, whenever the rain falls, it hits the
sill like the coin he gave me
when I was about ten and quite dumb

###
Amit Parmessur lives with his black cat and two cute dogs nowadays. Since 2010, his poems have appeared in over a hundred literary magazines, like Ann Arbor Review, Salt, Hobo Camp Review and Red Fez. His book on blog Lord Shiva and other poems has also been published by The Camel Saloon. Born in 1983, he was nominated for the 2011 Pushcart Award and lives in Quatre-Bornes, Mauritius.

I am Loud by Natalie Copeland

I am loud,
Demanding attention.
I know when I am being charming

I am Loud

by Natalie Copeland

I am loud,
Demanding attention.
I know when I am being charming
Because I try.
I put on my impressing face
And do my impressing hair
And speak my impressing words.
I tell you my embarrassing drinking stories
And everything else about me
That you probably shouldn’t know.

I am not good at being quiet
Because that’s not who I am.
I am not the sweet girl
Who will leave you with a smile
And a touch
And a glance
Or a single word.
There is nothing of this fashion of romance
About me.

I am the girl who will point out your flaws,
And take you outside to see the stars,
And remind you how human you are,
And what a wonderful thing that is.

I am the girl who will talk about science,
And music and theology and history,
And point out constellations, laughing,
When you don’t know the big dipper’s name.

I am the girl who will make witty references,
To classic literature and science fiction,
And will tell you stories of how I once,
Made a gingerbread replica of a lighthouse.

I am the girl who will stand on a table,
And sing at the top of my lungs on the highway,
And act like a chicken or quail or velociraptor,
Or nuzzle your face like a lion to make a point.

I am the girl who takes too many shots

And then coaxes you to bed on a Russian liver,
And knows all the right places to bite, and tease,
And follows with exceptionally coherent pillow-talk.

I am not a thin silk scarf on the wind.
I am not a thing hard to capture.
You would not spend a perilous journey
Through a wild, perfumed jungle,
Searching for my slender garments
Hung beside a pool
As I wail to the breeze.

Rather, I am the bird who flies overhead
Making too much noise
Distracting from the trail ahead.
A bird whose plumage proves
What an interesting life it must be?
What a colorful life for me?
Perpetually strange
The lone comic relief.

I am many things.
But I am not quiet.
Of this I am sure.

###

Natalie Copeland writes her poems from the valley of Snoqualmie, Washington. She is currently attending Central Washington University, where she is studying for her Bachelor of Fine Arts in Musical Theatre.

If you’re interested in reading more of her poems, her collection is currently hosted by Hello Poetry where she goes by the pen name Subconscious on Parade at:
http://hellopoetry.com/-subconscious-on-parade/

 

Saturday Midnight by Charles F. Thielman

The rust iron wing of a train horn
pinballs down glass and steel canyons,

Saturday Midnight

by Charles F. Thielman

The rust iron wing of a train horn
pinballs down glass and steel canyons,

headlights sweep our shadows past
a mural, circle of hands touching hands

of all colors, framed by two whales
planting songs in a darkening current.

The hope of public art not altering realities
as sirens thorn over a nearby avenue.
The dark boas of city streets hours
from releasing gray dawn, this jazz joint

in full hop and bop, opening door
releasing a river of sax notes plying drum

and piano rhythms as the current
rivulets over iron-mesh caught rocks.
Hot mist catches streetlight yellow
en route to swirl above drain grates,

my veins filling with inks and colors
for page and canvas as I shoulder inside

a jazz solo, guitarist picking through what
aches after my work-week of unloading trucks.

###
Raised in Charleston, S.C., and Chicago, educated at red-bricked universities and on city streets, Charles has worked as a youth counselor, truck driver, city bus driver and enthused bookstore clerk.

Married on a Kauai beach in 2011, a loving Grandfather for five free spirits, Charles inspired work as Poet, Artiste and shareholder in an independent Bookstore’s collective continues! He organizes readings at the store.

And not a few of his poems have been accepted by literary journals, such as The Pedestal, Poetry365, The Criterion [India], Poetry Salzburg [Austria], Battered Suitcase, Future Cycle, The Oyez Review, Poetry Kanto [Japan], Tiger’s Eye and Rio Grande Review!

See http://www.youtube.com/watch?v=d-5-G_jaoJY for a sample of Charles participating in a group reading at said store, Tsunami Books, Eugene.

Camera Obscura by Peycho Kanev

Light, please initiate me into your
occult philosophy. Tell me where
you come from when you penetrate
a dusty window in the morning and

Camera Obscura

by Peycho Kanev

Light, please initiate me into your
occult philosophy. Tell me where
you come from when you penetrate
a dusty window in the morning and

find me staring into the nothingness.
Sometimes you show me very beautiful
things, and I try to comprehend.
Like a pair of beautiful female legs

semi-concealed in the twilight of
your brightly absence. How many stories
do we need so this moment could be
remembered forever

The others have old photo albums.
The others have skies to cry beneath them.
But you can find me thoughtful,
staring into the darkness of this page.

###

Peycho Kanev is the Editor-In-Chief of Kanev Books. His poetry collection Bone Silence was released in September 2010 by Desperanto Publishing Group. A new collection of his poetry, titled Requiem for One Night, will be published by Desperanto Publishing Group in September 2012. Also his poems have appeared in more than 600 literary magazines, such as: Poetry Quarterly, Evergreen Review, Hawaii Review, Cordite Poetry Review, The Monarch Review, The Coachella Review, DMQ Review, The Cleveland Review, In Posse Review, Mascara Literary Review and many others. Peycho Kanev has won several European awards for his poetry and he’s nominated for the Pushcart Award and Best of the Net.

http://www.kanevbooks.com

In Preparation for the Hunt by Bethany W Pope

Picture me waiting
in the nook by the window,
long skirt spread out, falling
red and wet-looking against

In Preparation for the Hunt

by Bethany W Pope

Picture me waiting
in the nook by the window,
long skirt spread out, falling
red and wet-looking against

the strong curve of my legs,
the material, rich as arterial
blood, scrounged from a curtain,
concealing my calves as a sheath

hides a blade. And I, sitting there,
coiled, for you. Holding that feather
that I found in the woods, the
pinion that fell from some

brown-streaked hawk,
brushing that keen edge against my lips
in anticipation of the softness of your flesh.
picture this and know that,

though I’m hooded now, by the long
shadows of the eaves, when you come for
me in sunlight, crossing
plain across that barren field,

the feather will fall,
my feet will fly,
and my arms will cross tight
around your white neck.

###
Bethany W Pope is an award winning author of the LBA, and a finalist for the Faulkner-Wisdom Awards. She received her PhD from Aberystwyth University’s Creative Writing program. Her work has appeared in: Anon, Art Times, Ampersand, Blue Tattoo, De/Tached (Parthian), The Writer’s Hub, New Welsh Review and her work is due to appear in the next issues of Planet, Poetry Review Salzburg, Tears in the Fence and Anon. Her first poetry collection, A Radiance was published by Cultured Llama Press in June. Her second collection, Persephone in the Underworld has been accepted by Rufus Books and shall be released in 2016.

The Lane by Annemarie N’ Churre’in

Breathless, the whole way
down, skimming
fuchsia, rag-ferns,

The Lane

by Annemarie N’ Churre’in

Breathless, the whole way
down, skimming
fuchsia, rag-ferns,

to the road below
where an old school bus
waited;

a stream of girls,
wet hair trailing
a scent of apples

in the left-behind air,
orchards
imagined us

fetching from wells,
pitchers of silver equations,
poems, plant names.

In the evenings,
pale foreheads throbbed,
small steps

returning uphill
fell
into careless unison,

something
on those short journeys
between worlds

conjured
sisterhood
from unshared histories,

separate blood,
incomparable desires
after summer

when the lane
was high with new grass
and each girl

had her own dream
to swim
in the greenness.

###
Annemarie completed an M. Phil in Creative Writing at the Oscar Wilde Centre, Trinity College Dublin. Her poems have been published widely in Ireland and the UK and have appeared in Poetry Ireland Review, Stinging Fly, The SHOP, The London Magazine, Agenda Magazine and The Morning Star. In 2011, she was short-listed for the UK Erbacce Poetry Prize. Annemarie lives in Dublin and is currently completing her first poetry collection. She is contactable at Creativeceardlann@gmail.com

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