The Death of Robin Hood by Eugene Field

The Death of Robin Hood

?by Eugene Field

“Give me my bow,” said Robin Hood,
“An arrow give to me;
And where ‘t is shot mark thou that spot,
For there my grave shall be.”

Then Little John did make no sign,
And not a word he spake;
But he smiled, altho’ with mickle woe
His heart was like to break.

He raised his master in his arms,
And set him on his knee;
And Robin’s eyes beheld the skies,
The shaws, the greenwood tree.

The brook was babbling as of old,
The birds sang full and clear,
And the wild-flowers gay like a carpet lay
In the path of the timid deer.

“O Little John,” said Robin Hood,
“Meseemeth now to be
Standing with you so stanch and true
Under the greenwood tree.

“And all around I hear the sound
Of Sherwood long ago,
And my merry men come back again,?
You know, sweet friend, you know!

“Now mark this arrow; where it falls,
When I am dead dig deep,
And bury me there in the greenwood where
I would forever sleep.”

He twanged his bow. Upon its course
The clothyard arrow sped,
And when it fell in yonder dell,
Brave Robin Hood was dead.

The sheriff sleeps in a marble vault,
The king in a shroud of gold;
And upon the air with a chanted pray’r
Mingles the mock of mould.

But the deer draw to the shady pool,
The birds sing blithe and free,
And the wild-flow’rs bloom o’er a hidden tomb
Under the greenwood tree.

THE LOOKING-GLASS BY RUDYARD KIPLING

Rudyard Kipling

THE LOOKING-GLASS by RUDYARD KIPLING

The Queen was in her chamber, and she was middling old,
Her petticoat was of satin, and her stomacher was gold.
Backwards and forwards and sideways did she pass,
Making up her mind to face the cruel looking-glass.
The cruel looking-glass that will never show a lass
As comely or as kindly or as young as what she was!
The Queen was in her chamber, a-combing of her hair.
There came Queen Mary’s spirit and It stood behind her chair,
Singing, “Backwards and forwards and sideways may you pass,
But I will stand beside you till you face the looking-glass.
The cruel looking-glass that will never show a lass
As lovely or unlucky or as lonely as I was.”
The Queen was in her chamber, a-weeping very sore,
There came Lord Leicester’s spirit and It scratched upon the door,
Singing, “Backwards and forwards and sideways may you pass,
But I will walk beside you till you face the looking-glass.
The cruel looking-glass that will never show a lass,
As hard and unforgiving and as wicked as you was!”

The Queen was in her chamber, her sins were on her head.
She looked the spirits up and down and statelily she said:
“Backwards and forwards and sideways though I’ve been,
Yet I am Harry’s daughter and I am England’s Queen!”
And she faced the looking-glass (and whatever else there was)
And she saw her day was over and she saw her beauty pass
In the cruel looking-glass, that can always hurt a lass
More hard than any ghost there is or any man there was!

Gunga Din by Rudyard Kipling

Rudyard Kipling (1865-1936)

Gunga Din

You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was “Din! Din! Din!
You limpin’ lump o’ brick-dust, Gunga Din!
Hi! slippery hitherao!
Water, get it! Panee lao!
You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ’cause ‘e couldn’t serve us all.
It was “Din! Din! Din!
You ‘eathen, where the mischief ‘ave you been?
You put some juldee in it
Or I’ll marrow you this minute
If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is dirty ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
It was “Din! Din! Din!”
With the bullets kickin’ dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
“Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
It was “Din! Din! Din!
‘Ere’s a beggar with a bullet through ‘is spleen;
‘E’s chawin’ up the ground,
An’ ‘e’s kickin’ all around:
For Gawd’s sake git the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone?
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor damned souls,
An’ I’ll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I’ve belted you and flayed you,
By the livin’ Gawd that made you,
You’re a better man than I am, Gunga Din!

EPITAPH ON A HARE by William Cowper

William Cowper (1731-1800)

EPITAPH ON A HARE by William Cowper

Here lies, whom hound did ne’er pursue,
Nor swifter greyhound follow,
Whose foot ne’er tainted morning dew,
Nor ear heard huntsman’s halloo;
Old Tiney, surliest of his kind,
Who, nursed with tender care,
And to domestic bounds confined,
Was still a wild Jack hare.
Though duly from my hand he took
His pittance every night,
He did it with a jealous look,
And, when he could, would bite.
His diet was of wheaten bread,
And milk, and oats, and straw;
Thistles, or lettuces instead,
With sand to scour his maw.
[121]On twigs of hawthorn he regaled,
On pippins’ russet peel,
And, when his juicy salads failed,
Sliced carrot pleased him well.
A Turkey carpet was his lawn,
Whereon he loved to bound,
To skip and gambol like a fawn,
And swing his rump around.
His frisking was at evening hours,
For then he lost his fear,
But most before approaching showers,
Or when a storm drew near.
Eight years and five round-rolling moons
He thus saw steal away,
Dozing out all his idle noons,
And every night at play.
I kept him for his humor’s sake,
For he would oft beguile
My heart of thoughts that made it ache,
And force me to a smile.
But now beneath this walnut shade
He finds his long last home,
And waits, in snug concealment laid,
Till gentler Puss shall come.
He, still more ag?d, feels the shocks
From which no care can save,
And, partner once of Tiney’s box,
Must soon partake his grave.

WHEN I WAS ONE-AND-TWENTY by Alfred Edward Housman

A. E. Housman was born March 26, 1859, and, after a classical education, he was, for ten years, a Higher Division Clerk in H. M. Patent Office. Later in life, he became a teacher.

A. E. Housman (1859-1936)

WHEN I WAS ONE-AND-TWENTY by Alfred Edward Housman

When I was one-and-twenty
I heard a wise man say,
“Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.”
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
“The heart out of the bosom
Was never given in vain;
‘Tis paid with sighs a-plenty
And sold for endless rue.”
And I am two-and-twenty,
And oh, ’tis true, ’tis true.

THE HIGHWAYMAN by Alfred Noyes

Alfred Noyes (1880-1958)

Alfred Noyes (1880-1958)

THE HIGHWAYMAN by Alfred Noyes
PART ONE

I
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding?
Riding?riding?
The highwayman came riding, up to the old inn-door.

II
He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

III
Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

IV
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
The landlord’s red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say?

V
“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

VI
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i’ the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

PART TWO
I
He did not come in the dawning; he did not come at noon;
And out o’ the tawny sunset, before the rise o’ the moon,
When the road was a gipsy’s ribbon, looping the purple moor,
A red-coat troop came marching?
Marching?marching?
King George’s men came marching, up to the old inn-door.

II
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

III
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
“Now keep good watch!” and they kissed her.
She heard the dead man say?
Look for me by moonlight;
Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

IV
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

V
The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love’s refrain.

VI
Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

VII
Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him?with her death.

VIII
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord’s daughter,
The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX
Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.
*??? *??? *??? *

X
And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding?
Riding?riding?
A highwayman comes riding, up to the old inn-door.

XI
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

Fast rode the knight by Stephen Crane

Stephen Crane (1871-1900)

Stephen Crane (1871-1900)

Fast rode the knight by Stephen Crane

Fast rode the knight
With spurs, hot and reeking,
Ever waving an eager sword,
“To save my lady!”
Fast rode the knIght,
And leaped from saddle to war.
Men of steel flickered and gleamed
Like riot of silver lights,
And the gold of the knight’s good banner
Still waved on a castle wall.
. . . . .
A horse,
Blowing, staggering, bloody thing,
Forgotten at foot of castle wall.
A horse
Dead at foot of castle wall.

My Shadow by Robert Louis Stevenson

Robert Louis Stevenson (1850-1894)

My Shadow

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow–
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes goes so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close behind me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the Sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

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