The Jack-O’-Lantern By Madison Julius Cawein

The Jack-O’-Lantern

By Madison Julius Cawein

 

Last night it was Hallowe’en.
Darkest night I’ve ever seen.
And the boy next door, I thought,
Would be glad to know of this
Jack-o’-lantern father brought
Home from Indianapolis.
And he was glad. Borrowed it.
Put a candle in and lit;
Hid among the weeds out there
In the side lot near the street.
I could see it, eyes aglare,
Mouth and nose red slits of heat.
My! but it looked scary! He
Perched an old hat on it, see?
Like some hat a scarecrow has,
Battered, tattered all around;
And he fanned long arms of grass
Up and down above the ground.
First an Irish woman, shawled,
With a basket, saw it; bawled
For her Saints and wept and cried,
“Is it you, Pat? Och! I knew
He would git you whin you died!
‘Faith! there’s little change in you!”
Then the candle sputtered, flared,
And went out; and on she fared,
Muttering to herself. When lit,
No one came for longest while.
Then a man passed; looked at it;
On his face a knowing smile.
Then it scared a colored girl
Into fits. She gave a whirl
And a scream and ran and ran
Thought Old Nick had hold her skin;
And she ran into a man,
P’liceman, and he run her in.
But what pleased me most was that
It made one boy lose his hat;
A big fool who thinks he’s smart,
Brags about the boys he beat:
Knew he’d run right from the start:
Biggest coward on the street.
Then a crowd of girls and boys
Gathered with a lot of noise.
When they saw the lantern, well!
They just took a hand: they thought
That they had him when he fell;
But he turned on them and fought.
He just took that lantern’s stick,
Laid about him hard and quick,
And they yelled and ran away.
Then he brought me all he had
Of my lantern. And, I say,
Could have cried I was so mad.

###

Summary

The speaker describes the events of Halloween night after the speaker’s father brought home a jack-o-lantern. The boy next door borrowed the jack-o-lantern, lit a candle inside, and hid it in the weeds to scare people. It scared several passersby, including an old woman who thought it was someone she knew, a girl who had a fit, and a policeman who took the girl in. The jack-o-lantern also scared a boastful boy into losing his hat and running away. Finally, a crowd of kids attacked the jack-o-lantern, but the boy who borrowed it fought them off. He then returned what was left of the smashed pumpkin to the speaker, who was very upset about the destruction of the jack-o-lantern. The poem depicts the jack-o-lantern scaring people and leading to mischief on Halloween night.

Biography

Madison Julius Cawein was an American poet born in 1865 in Louisville, Kentucky. He was associated with the “Kentucky School” of writers and was known for his poetry featuring mystical themes of nature and mythology. Some of his notable published works include Blooms of the Berry (1898), Kentucky Poems (1900), Mystery and Romance (1901), and Myth and Romance (1908).

Cawein’s style was heavily influenced by the English Romantic poets like Keats and Shelley, with much of his poetry conveying a dreamy, romantic, and imaginative tone. He led a largely reclusive life, suffering from depression and alcoholism in his later years. Cawein died by suicide in 1914 at the age of 49.

At the peak of his career, Cawein was compared to renowned Romantic poets like Keats and Shelley. While mostly forgotten today, he was considered an influential regional American poet at the turn of the 20th century. His poem “The Vampire” is one example of his works dealing with supernatural subjects and themes. Though he died in obscurity, Cawein contributed a substantial body of mystical, nature-inspired poetry during his lifetime.

The Vampire by James Clerk Maxwell 1845

The Vampire by James Clerk Maxwell 1845

Translated into modern English by R Edwards

There is a knight riding through the woods,
A brave and noble knight is he.
And surely he is on an urgent quest,
He rides so hastily.

He passed the oak and the birch trees,
And many other trees passed he,
But pleasant to him was the slender willow,
For beneath it he did see

The fairest lady that he ever saw,
She was so bright and fair.
And there she sat beneath the willow,
Combing her golden hair.

The knight said “Oh beautiful lady,
What chance has brought you here?
Just say the word and you shall go
Back to your family dear.”

The fair lady spoke up:
“I have no friends or kin,
But in a little boat I live,
Amidst the waves’ loud din.”

The brave knight answered:
“I will follow you through all,
For if you live in a little boat,
The world seems to it small.”

They went through the woods, to the end they came:
And there they saw the sea foam white.

And then they saw the tiny boat,

That danced atop the waves so bright.
First got in the fair lady,
Then the brave knight.

They rowed in the tiny boat
With all their might;
But the brave knight turned about,
And looked upon the lady bright;

He looked upon her rosy cheek,
And into her eyes so bright,
But her cheek grew deathly pale,
As if she was dead that night.

The false, false knight grew pale with fright,

His hair stood up on end,
For days gone by came to his mind,
And his former love he did recognize.

The lady spoke “You false knight
Have done me great ill,
You did forsake me long ago,
But I am constant still;

For though I lie in these cold woods,
At rest I cannot be
Until I suck the lifeblood

Of the man who caused me to die.”

He saw her lips were wet with blood,
And her merciless eyes did shine,
Loud he cried “Get away from my side,

You unclean vampire corpse!”

But no, he was in her magic boat,
On the wide and winding sea;
And the vampire sucked his lifeblood,
She sucked until he died.

So beware, whoever you are,
That walks in this lonely wood:
Beware of that deceitful ghost,
The ghoul that drinks the blood.

###

James Clerk Maxwell (1831-1879) was a Scottish mathematician and physicist who made major contributions to electromagnetism and thermodynamics. He is best known for formulating the classical theory of electromagnetic radiation, bringing together electricity, magnetism, and light as different manifestations of the same phenomenon.

‘Twas Halloween Night

‘Twas Halloween Night

Peter Gregg Slater

‘Twas Halloween night, when all thro’ the house
Every creature was stirring, even grandad an old souse.
The candy bags were hung by the door with care,
In hopes that trick-or-treaters would soon be there.

The kids were all snug in their costume disguise,
While visions of Skittles danc’d in their eyes.
And Mama in J. Crew, and I in my Yankees cap
Had just settled down for a long night of door tap.

When out on the lawn there arose such a clatter,
I sprang from the La-Z-Boy to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters, and threw up the sash.

The moon on the breast of the new-fallen wet leaves,
Gave the lustre of mid-day to objects under the eaves.
When, what did my shuddering eyes sight,
But a witch squadron in V-form flight.

With a grungy crone in the lead, so twitchy and full of evil zest,
I knew in a moment it must be the Wicked Witch of the West.
More rapid than eagles her coursers they came,
And she whistled, and shouted, and call’d them by name;

“Now Slasher! Now Masher! Now Smasher and Vixen!
On Varmint! On Putrid! On Sunder and Nixon!
To the top of the porch! To the top of the wall!
Now dash away! Dash away! Dash away all!”

As dry leaves before the wild hurricane fly,
When they meet with an obstacle, mount to the sky.
So up to the house-top the coursers they flew,
With their Swifters ashine with witches’ brew.

And then in a twinkling, I heard on the roof tile
The prancing and prowling of the witches vile.
As I drew in my head, and was turning around,
Down the chimney Witch Westy came with a bound.

She was dress’d in janky knockoffs, from her head to her foot,
And her clothes were all tarnish’d with soot.
A bundle of sacks was flung on her back,
And she look’d like a peddler just opening her pack.

Her eyes – how they glared! her warts how distasteful,
Her cheeks were like mold, her nose hateful.
Her narrow nasty mouth was drawn to a gash,
And the faint mustache on her lip as white as ash.

The stump of a stogie she held tight in her teeth,
And the smoke it encircled her head like a wreath.
She had a hatchet face, and a nose like a beak
That wobbled when she shriek’d, like a hose with a leak.

She was lean and mean, a loathsome old doxy
And I shook when I saw her like I had a poxy
A squint of her eye and a thrust of her head
Soon gave me to know I had much to dread.

She spoke not a word, but went straight to her work
And fill’d her sack from our candy stash, then turn’d with a jerk,
And drawing her finger across her throat,
And giving a snarl, up the chimney she rose with her tote.

She sprang to her Swifter, to her coven gave a whistle,
And away they all flew, like bullets from a pistol.
But I heard her holler, ere she drove out of sight-
“A miserable Halloween to all, and to all a terrible night.”

###

Peter Gregg Slater is a historian whose scholarship in American intellectual and cultural history is often referenced in both academic and popular publications. His poetry, fiction, parody, and essays have appeared in “Dash,” “Workers Write!,” “The Westchester Review,” “The Satirist,” and “Twentieth Century Literature,” among other publications.

The Haunted Isle By Richard H. Fay

I lie beyond the narrow sandy strand,
A jagged mote upon the horizon,
A rugged speck upon the ocean.
Sailors skirt past my flanks in morbid dread.
My dark hollows house the unshriven dead.

The Haunted Isle 

By Richard H. Fay

I lie beyond the narrow sandy strand,
A jagged mote upon the horizon,
A rugged speck upon the ocean.
Sailors skirt past my flanks in morbid dread.
My dark hollows house the unshriven dead.

I lie amongst the angry, swelling waves.
Churning foam obscures my treacherous shoals,
Doom for innumerable imperilled souls.
Wretched spirits weep on my savage shore,
Unheard above Poseidon’s constant roar.

I lie shrouded in a bleak, swirling mist,
Cloaked in an eternal obscurity,
Wracked by a turbulent, restless sea.
Haggard spectres drift amidst my grey stones,
Vainly searching for their sun-bleached bones

I lie beyond a mortal’s tenuous ken,
A dismal harbour for woeful secrets,
A forlorn abode of abject regrets.
Rendered barren by the sea’s bitter breath,
My rocky bosom knows nothing but death.

(Poem originally published in Illumen Issue 8, Spring 2008.)

The Vampire by Charles Baudelaire

You who, like the stab of a knife,
Entered my plaintive heart;
You who, strong as a herd
Of demons, came, ardent and adorned,

The Vampire
By Charles Baudelaire

You who, like the stab of a knife,
Entered my plaintive heart;
You who, strong as a herd
Of demons, came, ardent and adorned,

To make your bed and your domain
Of my humiliated mind
– Infamous bitch to whom I’m bound
Like the convict to his chain,

Like the stubborn gambler to the game,
Like the drunkard to his wine,
Like the maggots to the corpse,
– Accurst, accurst be you!

I begged the swift poniard
To gain for me my liberty,
I asked perfidious poison
To give aid to my cowardice.

Alas! both poison and the knife
Contemptuously said to me:
“You do not deserve to be freed
From your accursed slavery,

Fool! – if from her domination
Our efforts could deliver you,
Your kisses would resuscitate
The cadaver of your vampire!”

Published in 1857.

Seekers by Christopher Woods

In the bus station
I was near enough
To be master of ceremonies,
Seeing them on their way.

 

Seekers

by Christopher Woods

In the bus station
I was near enough
To be master of ceremonies,
Seeing them on their way.
But I had no idea,
Let alone imagination,
For what rolled toward me
On the dolly.
An ice chest, and I thought
It odd that someone would send
Such a thing on a bus,
Near midnight, from Houston
Or anywhere at all.
Then I read the label –
FRAGILE – HUMAN EYES FOR TRANSPLANT.

Later, on the bus
Rolling down the highway,
I couldn’t sleep.
I thought of them down below,
Wedged between boxes and suitcases,
Jostled on bumps and curves.
How they had no brain
To let them know a thing,
Where they were going
Or why.
I thought of my own life,
In transit once again.
My brain couldn’t tell me
What was ahead either,
Only that I was on my way.

I got off in the Rio Grande Valley,
While they continued.

THE WITCHES (for older children)

THE WITCHES (for older children)

In the dark forest under the haze
absent the moon’s silvery rays,
when the night is black and still
the witches hold a blackbird’s quill.

 

THE WITCHES (for older children)

In the dark forest under the haze
absent the moon’s silvery rays,
when the night is black and still
the witches hold a blackbird’s quill.

They, merrily, jot down names
of naughty children
to beat them with disdain.
Their greenish eyes are frightful,
their ghostly hair quite dreadful.

They boil the bones of forest owls,
of hairy rats and ugly fowl,
in a large caldron as they cackle,
“Abracadabra, dung of a zebra,”
as Apollo rises from the shadows.

They cast their spells with horrid chants.
rousing frogs, toads and bats,
They aim to turn errant children,
into legions of moles and rats.

On guard, child, the witches prowl
and cast the spells I’d hate to see,
and in the morning, as you shower,
if you’re not careful, a toad you’ll be.

 

LAS BRUJAS (para niños grandes)

Es en el monte bajo la bruma,
donde no hay rastro de clara luna,
en lo más negro de la negrura,
están las brujas con una pluma.

Anotan, locas, los niños malos
para en la noche darles de palos.
Tienen los ojos verdes y raros
y los cabellos grises y ralos.

En una olla cuecen los huesos
de aves nocturnas de feo gesto;
“Abracadabra, barbas de cabra”
cantan las brujas venida el alba.

Encantar piensan a los incautos,
hipnotizando con su feo canto.
Ranas y sapos de niños malos
piensan hacerlos para su daño.

Cuídate, nene, que vienen brujas
a tu camita donde te arrullan
y en la mañana cuando te duchas
Sapo serás, si no me escuchas.

The Vampire and the Ball by Rebecca L. Snowe

Rebecca L. Snowe is a high-fantasy writer who hates cliché’s, loves the dark and gritty, and is working on becoming a tea addict.

The Vampire and the Ball

by Rebecca L. Snowe

Dresses, jewels, mirrors, chandelier.
A human’s ball is a vampire’s feast.

But first a victim to find,
One who is young and fresh.

He sees her across the room,
Skin like ivory, hair like gold.
Introductions are made,
A dance requested.

Her smile is hypnotizing,
Her eyes so blue.
But her neck is what attracts him,
And the blood flowing beneath the skin.

The dance ends and she begs a walk outside.

She thinks of love,
He thinks only of feeding.

Blood on the gravel,
Fangs in the moonlight.

A scream unheard,
The music is too loud.

A handkerchief to clean his chin,
Inside a new dance begins.

He turns and moves back inside,
Another victim is required.

Rebecca L. Snowe is a high-fantasy writer who hates cliché’s, loves the dark and gritty, and is working on becoming a tea addict.

 

The Grand Illusion by Maggie Pena

The Grand Illusion

by Maggie Pena

I’m sitting alone in the corner of a room-
darkness all around, but light above-
from somewhere it comes, that little bit,
from somewhere unseen, the light emits.
It must, and so

I’m sitting alone in the corner of a dark room
with the edges of the white walls pinching together over my head
like a squinting eye
It stares right down at me, pinning me to the floor
like a worm,
squashed by the tip-toe of a boot,
that wriggles and convulses,
pinned down to the floor by its own impatient guts.

Where was I in such a hurry to?
I don’t remember now.
I look up to the ceiling and wonder how
the room does continue on.

Is the further wall just as white?
Will some horrid converse come to light
with the slowly creeping dawn?
Creeping like a little worm- all impatient guts and goo,
crying, “Don’t let them see me!
“Don’t let them know!
“Don’t let them come!
“There footfall sounds in unalterable ranks!
“I hear them, hear them,
“nearly see them now,
“and with the dawn, they come creeping and coyly entreating.”
“So will the chasm, too, come to yawn.”

In time, in time;
I am waiting
for the dawn to come illuminating the further wall,
for the boots to come as unalterable law.
In time, in due time;
I am waiting.

I stretch my arms over my head,
the tired sound escaping from my mouth,
and falling out into the darkness of the room,
where the light is dead-
Dead
Dead
Dead
and splattered out into the room like impatient, wormy guts
squirming, squishing, anxious to presume,
to perceive

The careful tip-toe boot,
The careful tip-toeing of the unalterable sound,
that rings against the further wall,
as all around
the darkness closes in
like an eye squinting on high,
like the eye that squishes me down, closing the darkness down,
until the darkness is all,
is all around.

On Cooking Krakens by Julie Irigaray

Julie Irigaray’s work has appeared in various international publications such as Southword, Banshee (Ireland), Shearsman, Mslexia, Tears in the Fence, Envoi (UK) and The Ofi Press (Mexico), among others.

On Cooking Krakens

by Julie Irigaray

The stalls of Italian markets
display four different
types of octopus and five
sizes of squids
with glassy eyes –
piteous nautilus
from Hokusai’s erotica.

I learned with practice how to
extract their entrails
without piercing the ink sac,
how to cut the cuttlefish’s
mantle to get the pen,
proud gladius raised against me.

I am not the fisherman’s wife
disarmed kraken,
there’s no need to resist
with your sharp beak
and your toy tentacles.

I discovered the squeeze
when one squishes the skin,
its plasticity once peeled –
What a strange appeal!
An opal ghost floats in the basin.

###

Julie Irigaray’s work has appeared in various international publications such as Southword, Banshee (Ireland), Shearsman, Mslexia, Tears in the Fence, Envoi (UK) and The Ofi Press (Mexico), among others. She recently won third prize in the 2017 Winchester Writers’ Festival Poetry Competition and was shortlisted for The Yeovil Poetry Prize 2017 and The London Magazine Poetry Prize 2016 (UK). After living in the south-west of France, Ireland, England and Italy, she is back to Paris.

Hallowe’en by Joel Benton (1896)

Pixie, kobold, elf, and sprite
All are on their rounds to-night,
In the wan moon’s silver ray

Hallowe’en

by Joel Benton (1896)

Pixie, kobold, elf, and sprite
All are on their rounds to-night,
In the wan moon’s silver ray
Thrives their helter-skelter play.

Fond of cellar, barn, or stack
True unto the almanac,
They present to credulous eyes
Strange hobgoblin mysteries.

Cabbage-stumps straws wet with dew
Apple-skins, and chestnuts too,
And a mirror for some lass
Show what wonders come to pass.

Doors they move, and gates they hide
Mischiefs that on moonbeams ride
Are their deeds, and, by their spells,
Love records its oracles.

Don’t we all, of long ago
By the ruddy fireplace glow,
In the kitchen and the hall,
Those queer, coof-like pranks recall

Eery shadows were they then
But to-night they come again;
Were we once more but sixteen
Precious would be Hallowe’en.

Hallowe’en by A. F. Murray

A gypsy flame is on the hearth,
Sign of this carnival of mirth.

Hallowe’en by A. F. Murray

(First appeared in Harper’s Weekly)

A gypsy flame is on the hearth,
Sign of this carnival of mirth.
Through the dun fields and from the glade
Flash merry folk in masquerade
It is the witching Hallowe’en.

Pale tapers glimmer in the sky,
The dead and dying leaves go by;
Dimly across the faded green
Strange shadows, stranger shades, are seen
It is the mystic Hallowe’en.

Soft gusts of love and memory
Beat at the heart reproachfully;
The lights that burn for those who die
Were flickering low, let them flare high
It is the haunting Hallowe’en.

The Haunted Oak by Paul Laurence Dunbar

THE HAUNTED OAK by
Paul Laurence Dunbar

Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?

My leaves were green as the best, I trow,
And sap ran free in my veins,
But I saw in the moonlight dim and weird
A guiltless victim’s pains.

I bent me down to hear his sigh;
I shook with his gurgling moan,
And I trembled sore when they rode away,
And left him here alone.

They’d charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?

He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.

Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?

And now they beat at the prison door,
“Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away

“From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,

And the rope they bear is long.”
They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,

And the great door open flies.
Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,

As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.

Oh, foolish man, why weep you now?
‘Tis but a little space,
And the time will come when these shall dread
The mem’ry of your face.

I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.

And never more shall leaves come forth
On a bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.

And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.

And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.

THE VAMPIRE by Rudyard Kipling

THE VAMPIRE

by Rudyard Kipling
(The verses?as suggested by the painting by Philip Burne Jones, first exhibited at the new gallery in London in 1897.)

.

A fool there was and he made his prayer
(Even as you and I!)
To a rag and a bone and a hank of hair
(We called her the woman who did not care),
But the fool he called her his lady fair
(Even as you and I!)
Oh the years we waste and the tears we waste
And the work of our head and hand,
Belong to the woman who did not know
(And now we know that she never could know)
And did not understand.
A fool there was and his goods he spent
(Even as you and I!)
Honor and faith and a sure intent
But a fool must follow his natural bent
(And it wasn’t the least what the lady meant),
(Even as you and I!)
Oh the toil we lost and the spoil we lost
And the excellent things we planned,
Belong to the woman who didn’t know why
(And now we know she never knew why)
And did not understand.
The fool we stripped to his foolish hide
(Even as you and I!)
Which she might have seen when she threw him aside?
(But it isn’t on record the lady tried)
So some of him lived but the most of him died?
(Even as you and I!)
And it isn’t the shame and it isn’t the blame
That stings like a white hot brand.
It’s coming to know that she never knew why
(Seeing at last she could never know why)
And never could understand.

Sleepy Hollow by William Ellery Channing

William Ellery Channing (1818 ?1901)

SLEEPY HOLLOW

No abbey’s gloom, nor dark cathedral-stoops,
No winding torches paint the midnight air; Here the green pines delight, the aspen droops
Along the modest pathways, and those fair Pale asters of the season spread their plumes
Around this field, fit garden for our tombs.

And shalt thou pause to hear some funeral bell
Slow stealing o’er thy heart in this calm place, Not with a throb of pain, a feverish knell,
But in its kind and supplicating grace, It says, Go, pilgrim, on thy march, be more
Friend to the friendless than thou wast before;

Learn from the loved one’s rest serenity:
To-morrow that soft bell for thee shall sound, And thou repose beneath the whispering tree,
One tribute more to this submissive ground;? Prison thy soul from malice, bar out pride,
Nor these pale flowers nor this still field deride:

Rather to those ascents of being turn,
Where a ne’er-setting sun illumes the year Eternal, and the incessant watch-fires burn
Of unspent holiness and goodness clear,? Forget man’s littleness, deserve the best,
God’s mercy in thy thought and life confest.

.

Exit mobile version