Skip to content

EveryWriter

Empowering Writers Since 1999

Menu
  • Home
  • Reading
    • On Writing
    • Interviews
    • Famous Authors
    • Stories
    • Poetry
  • Writing
    • Writing Lab 101
      • Writing Tips
      • Writing Tropes
      • Grammar Help
    • Contests & More
      • Contests for writers
      • Games for Writers
      • Quizzes for Writers
    • Writing Inspiration
    • Writing Prompts
      • Writing Prompts
      • Creative Writing Prompts
      • Student Writing Prompts
      • Journal Writing Prompts
      • Poetry Writing Prompts
      • Daily Writing Prompts
      • Holiday Writing Prompts
    • Writer’s Questions
  • Publishing
    • Publishing Tips
    • Literary Magazines
    • Book Publishers
  • Promotions
    • Book Promotions
    • Promoting Tips
    • News and Announcements
    • Classifieds
    • Newsletter
  • Teaching Writing
  • Submit
    • About Us
    • Submit
    • Privacy Policy
  • Community
Menu

Alpine Diversions by Robert Louis Stevenson

Posted on November 24, 2010November 11, 2019 by Richard

Alpine Diversions

by Robert Louis Stevenson

There will be no lack of diversion in an Alpine sanitarium.  The place is half English, to be sure, the local sheet appearing in double column, text and translation; but it still remains half German; and hence we have a band which is able to play, and a company of actors able, as you will be told, to act.  This last you will take on trust, for the players, unlike the local sheet, confine themselves to German and though at the beginning of winter they come with their wig-boxes to each hotel in turn, long before Christmas they will have given up the English for a bad job.  There will follow, perhaps, a skirmish between the two races; the German element seeking, in the interest of their actors, to raise a mysterious item, the Kur-taxe, which figures heavily enough already in the weekly bills, the English element stoutly resisting.  Meantime in the English hotels home-played farces, tableaux-vivants, and even balls enliven the evenings; a charity bazaar sheds genial consternation; Christmas and New Year are solemnised with Pantagruelian dinners, and from time to time the young folks carol and revolve untunefully enough through the figures of a singing quadrille.

A magazine club supplies you with everything, from the Quarterly to the Sunday at Home.  Grand tournaments are organised at chess, draughts, billiards and whist.  Once and again wandering artists drop into our mountain valley, coming you know not whence, going you cannot imagine whither, and belonging to every degree in the hierarchy of musical art, from the recognised performer who announces a concert for the evening, to the comic German family or solitary long-haired German baritone, who surprises the guests at dinner-time with songs and a collection.  They are all of them good to see; they, at least, are moving; they bring with them the sentiment of the open road; yesterday, perhaps, they were in Tyrol, and next week they will be far in Lombardy, while all we sick folk still simmer in our mountain prison.  Some of them, too, are welcome as the flowers in May for their own sake; some of them may have a human voice; some may have that magic which transforms a wooden box into a song-bird, and what we jeeringly call a fiddle into what we mention with respect as a violin.  From that grinding lilt, with which the blind man, seeking pence, accompanies the beat of paddle wheels across the ferry, there is surely a difference rather of kind than of degree to that unearthly voice of singing that bewails and praises the destiny of man at the touch of the true virtuoso.  Even that you may perhaps enjoy; and if you do so you will own it impossible to enjoy it more keenly than here, im Schnee der Alpen.  A hyacinth in a pot, a handful of primroses packed in moss, or a piece of music by some one who knows the way to the heart of a violin, are things that, in this invariable sameness of the snows and frosty air, surprise you like an adventure.  It is droll, moreover, to compare the respect with which the invalids attend a concert, and the ready contempt with which they greet the dinner-time performers.  Singing which they would hear with real enthusiasm – possibly with tears – from a corner of a drawing-room, is listened to with laughter when it is offered by an unknown professional and no money has been taken at the door.

Of skating little need be said; in so snowy a climate the rinks must be intelligently managed; their mismanagement will lead to many days of vexation and some petty quarrelling, but when all goes well, it is certainly curious, and perhaps rather unsafe, for the invalid to skate under a burning sun, and walk back to his hotel in a sweat, through long tracts of glare and passages of freezing shadow.  But the peculiar outdoor sport of this district is tobogganing.  A Scotchman may remember the low flat board, with the front wheels on a pivot, which was called a hurlie; he may remember this contrivance, laden with boys, as, laboriously started, it ran rattling down the brae, and was, now successfully, now unsuccessfully, steered round the corner at the foot; he may remember scented summer evenings passed in this diversion, and many a grazed skin, bloody cockscomb, and neglected lesson.  The toboggan is to the hurlie what the sled is to the carriage; it is a hurlie upon runners; and if for a grating road you substitute a long declivity of beaten snow, you can imagine the giddy career of the tobogganist.  The correct position is to sit; but the fantastic will sometimes sit hind-foremost, or dare the descent upon their belly or their back.  A few steer with a pair of pointed sticks, but it is more classical to use the feet.  If the weight be heavy and the track smooth, the toboggan takes the bit between its teeth; and to steer a couple of full-sized friends in safety requires not only judgment but desperate exertion.  On a very steep track, with a keen evening frost, you may have moments almost too appalling to be called enjoyment; the head goes, the world vanishes; your blind steed bounds below your weight; you reach the foot, with all the breath knocked out of your body, jarred and bewildered as though you had just been subjected to a railway accident.  Another element of joyful horror is added by the formation of a train; one toboggan being tied to another, perhaps to the number of half a dozen, only the first rider being allowed to steer, and all the rest pledged to put up their feet and follow their leader, with heart in mouth, down the mad descent.  This, particularly if the track begins with a headlong plunge, is one of the most exhilarating follies in the world, and the tobogganing invalid is early reconciled to somersaults.

There is all manner of variety in the nature of the tracks, some miles in length, others but a few yards, and yet like some short rivers, furious in their brevity.  All degrees of skill and courage and taste may be suited in your neighbourhood.  But perhaps the true way to toboggan is alone and at night.  First comes the tedious climb, dragging your instrument behind you.  Next a long breathing-space, alone with snow and pinewoods, cold, silent and solemn to the heart.  Then you push of; the toboggan fetches way; she begins to feel the hill, to glide, to, swim, to gallop.  In a breath you are out from under the pine trees, and a whole heavenful of stars reels and flashes overhead.  Then comes a vicious effort; for by this time your wooden steed is speeding like the wind, and you are spinning round a corner, and the whole glittering valley and all the lights in all the great hotels lie for a moment at your feet; and the next you are racing once more in the shadow of the night with close-shut teeth and beating heart.  Yet a little while and you will be landed on the highroad by the door of your own hotel.  This, in an atmosphere tingling with forty degrees of frost, in a night made luminous with stars and snow, and girt with strange white mountains, teaches the pulse an unaccustomed tune and adds a new excitement to the life of man upon his planet.

  • Author
  • Recent Posts
Richard
Richard
Richard Everywriter (pen name) is the founder of EveryWriter and a 25-year veteran of the publishing industry. With degrees in Writing, Journalism, Technology, and Education, Richard has dedicated two decades to teaching writing and literature while championing emerging voices through EveryWriter's platform. His work focuses on making literary analysis accessible to readers at all levels while preserving the rich heritage of American literature. Connect with Richard on Twitter  Bluesky Facebook or explore opportunities to share your own work on ourSubmissions page. For monthly insights on writing and publishing, subscribe to our Newsletter.
Richard
Latest posts by Richard (see all)
  • Science Fiction Quiz #1 - May 21, 2025
  • Awakening All Five Senses: How to Write Descriptions That Come Alive - May 15, 2025
  • Comment Contest: Win Promotion for Your Writing! - May 14, 2025
Category: Classic Articles on Writing, Historic Articles by Authors

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Call for Submissions

Open Submissions for fiction and poetry. See our submission guidelines.

Search

Get the magazine and free books

When you sign up you get 2 free horror ebooks and digital copies of our magazine for free!



Latest

  • Capi Irato on HALFWAY TO HALLOWEEN: 50 Words of Horror Contest: “The real horror was in her avid determination. “Mom, if you pass those out my life is over.” “Don’t be…” Jun 15, 07:16
  • David Reeg on HALFWAY TO HALLOWEEN: 50 Words of Horror Contest: “I withered beneath the violent stare of my enemy. Icy diamond daggers dripped within his bloodshot eyes. He whispered that…” Jun 11, 18:56
  • K. Maier on HALFWAY TO HALLOWEEN: 50 Words of Horror Contest: “The murmurs start and dread sews me stiff into the sheets of my bed. Mine is not the only shadow…” Jun 11, 08:55
  • K. Maier on HALFWAY TO HALLOWEEN: 50 Words of Horror Contest: “He lays a rose at your grave. You’ve been buried eight days. He thinks he hid the truth well and…” Jun 11, 08:50
  • Demi Engemann Sweatshirt on The Only Love Haiku You’ll Ever Write Contest: “ohhhhh!” Jun 9, 23:51

Around our site

  • Writing Prompts
  • Writing Tips
  • Contests for writers
  • Submissions
  • Stories
  • Poetry
  • Literary Magazines
  • Book Publishers
  • Newsletter

New Poetry

Blindsight by Julie Dexter a poem

J.M Summers’ New Poem Crocuses

New Short Stories

1979, Hungary By Zary Fekete

Read 1979, Hungary By Zary Fekete

Damn if You Do…by R.S. Nelson

Damn if You Do…by R.S. Nelson

 

Featured Classic Work

The Call of Cthulhu by H.P. Lovecraft

© 2025 EveryWriter | Powered by Minimalist Blog WordPress Theme
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
Do not sell my personal information.
Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT