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Author: Richard

Richard Everywriter (pen name) is the founder of EveryWriter and a 25-year veteran of the publishing industry. With degrees in Writing, Journalism, Technology, and Education, Richard has dedicated two decades to teaching writing and literature while championing emerging voices through EveryWriter's platform. His work focuses on making literary analysis accessible to readers at all levels while preserving the rich heritage of American literature. Connect with Richard on Twitter  Bluesky Facebook or explore opportunities to share your own work on ourSubmissions page. For monthly insights on writing and publishing, subscribe to our Newsletter.

Charles Dickens a Letter to His Wife

Posted on February 21, 2011May 8, 2019 by Richard

My dearest Love, I received your welcome letter on arriving here last night, and am rejoiced to hear that the dear children are so much better. I hope that in your next, or your next but one, I shall learn that they are quite well. A thousand kisses to them. I wish I could convey…

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Percy Bysshe Shelly on Beatrice Cenci by Guido Reni

Posted on February 19, 2011February 3, 2023 by Richard

On my arrival at Rome I found that the story of the Cenci was a subject not to be mentioned in Italian society without awakening a deep and breathless interest: and that the feelings of the company never failed to incline to a romantic pity for the wrongs, and a passionate exculpation of the horrible…

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True and False Humour by Joseph Addison

Posted on February 18, 2011May 8, 2019 by Richard

Nothing so foolish as the laugh of fools. Among all kinds of writing, there is none in which authors are more apt to miscarry than in works of humour, as there is none in which they are more ambitious to excel. It is not an imagination that teems with monsters, a head that is filled…

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Truthfulness by Charles Dudley Warner

Posted on February 15, 2011May 8, 2019 by Richard

Truthfulness is as essential in literature as it is in conduct, in fiction as it is in the report of an actual occurrence. Falsehood vitiates a poem, a painting, exactly as it does a life. Truthfulness is a quality like simplicity. Simplicity in literature is mainly a matter of clear vision and lucid expression, however…

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A Little on John Dyer by Samuel Johnson

Posted on February 14, 2011May 8, 2019 by Richard

John Dyer, of whom I have no other account to give than his own letters, published with Hughes’s correspondence, and the notes added by the editor, have afforded me, was born in 1700, the second son of Robert Dyer of Aberglasney, in Caermarthenshire, a solicitor of great capacity and note. He passed through Westminster school…

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A Mountain Town in France (1879) by Robert Louis Stevenson

Posted on February 13, 2011May 8, 2019 by Richard

Le Monastier is the chief place of a hilly canton in Haute Loire, the ancient Velay.  As the name betokens, the town is of monastic origin; and it still contains a towered bulk of monastery and a church of some architectural pretensions, the seat of an arch-priest and several vicars.  It stands on the side…

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Shakespeare; or The Poet by Ralph Waldo Emerson

Posted on January 27, 2011May 8, 2019 by Richard

1. Great men are more distinguished by range and extent, than by originality. If we require the originality which consists in weaving, like a spider, their web from their own bowels; in finding clay, and making bricks, and building the house; no great men are original. Nor does valuable originality consist in unlikeness to other…

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Dante, the Divine Poet by Alice Birkhead

Posted on January 26, 2011May 20, 2019 by Richard

There were still Guelfs and Ghibellines in 1265, but the old names had partially lost their meaning in the Republic of Florence, where the citizens brawled daily, one faction against the other. The nobles had, nevertheless, a bond with the emperor, being of the same Teutonic stock, and the burghers often sought the patronage of…

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Printing and Printers by Oscar Wilde

Posted on January 25, 2011May 8, 2019 by Richard

Nothing could have been better than Mr. Emery Walker’s lecture on Letterpress Printing and Illustration, delivered last night at the Arts and Crafts.  A series of most interesting specimens of old printed books and manuscripts was displayed on the screen by means of the magic-lantern, and Mr. Walker’s explanations were as clear and simple as…

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My Letter to Thomas Nast Sells! by Mark Twain

Posted on January 24, 2011May 8, 2019 by Richard

This is from this morning’s paper: Mark Twain Letter Sold. Written to Thomas Nast, it Proposed a Joint Tour. A Mark Twain autograph letter brought $43 yesterday at the auction by the Merwin-Clayton Company of the library and correspondence of the late Thomas Nast, cartoonist. The letter is nine pages note-paper, is dated Hartford, Nov….

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Home-made Music Walt Whitman

Posted on January 23, 2011May 8, 2019 by Richard

August 8th.—To-night, as I was trying to keep cool, sitting by a wounded soldier in Armory-square, I was attracted by some pleasant singing in an adjoining ward. As my soldier was asleep, I left him, and entering the ward where the music was, I walk’d halfway down and took a seat by the cot of…

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Falling in Love by Grant Allen (1889)

Posted on January 22, 2011May 8, 2019 by Richard

An ancient and famous human institution is in pressing danger. Sir George Campbell has set his face against the time-honoured practice of Falling in Love. Parents innumerable, it is true, have set their faces against it already from immemorial antiquity; but then they only attacked the particular instance, without venturing to impugn the institution itself…

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My Views on Romance by Robert Louis Stevenson

Posted on January 15, 2011May 8, 2019 by Richard

In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves, and rise from the perusal, our mind filled with the busiest, kaleidoscopic dance of images, incapable of sleep or of continuous thought. The words,…

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Tomb of Keats by Oscar Wilde

Posted on January 13, 2011May 8, 2019 by Richard

As one enters Rome from the Via Ostiensis by the Porta San Paolo, the first object that meets the eye is a marble pyramid which stands close at hand on the left. There are many Egyptian obelisks in Rome—tall, snakelike spires of red sandstone, mottled with strange writings, which remind us of the pillars of…

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The Poet as Lover by Elizabeth Atkins

Posted on January 11, 2011May 8, 2019 by Richard

Do the Phaedrus and the Symposium leave anything to be said on the relationship of love and poetry? In the last analysis, probably not. The poet, however, is not one to keep silence because of a dearth of new philosophical conceptions. As he discovers, with ever fresh wonder, the power of love as muse, each…

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