Self-Reliance by Ralph Waldo Emerson “Ne te quaesiveris extra.” “Man is his own star; and the soul that can Render an honest and a perfect man, Commands all light, all influence, all fate; Nothing to him falls early or too late. Our acts our angels are, or good or ill, Our fatal shadows that walk…
Classic Articles on Writing
Classic articles on writing art some of the most interesting and telling works by past authors. Here you will find articles from the past by authors that range from the famous to the obscure.
Does Fortune Favor Fools? by Samuel Taylor Coleridge
Coleridge analyzes ‘Fortune favors fools,’ exploring how luck, skill and human bias intersect in this timeless proverb about success and coincidence.
A Review of Henry Wadsworth Longfellow by James Russell Lowell
THE COURTSHIP OF MILES STANDISH The introduction and acclimatization of the hexameter upon English soil has been an affair of more than two centuries. The attempt was first systematically made during the reign of Elizabeth, but the metre remained a feeble exotic that scarcely burgeoned under glass. Gabriel Harvey,—a kind of Don Adriano de Armado,—whose…
Books Which Have Influenced Me by Robert Louis Stevenson
Explore how reading transformed Robert Louis Stevenson’s writing and discover his influential books. Learn why great writers are avid reader
What is Art by Ralph Waldo Emerson
Explore Emerson’s revolutionary “What is Art” essay that connects artistic creation with nature, spirituality, and universal truths
The Philosophy of Composition by Edgar Allan Poe
Charles Dickens, in a note now lying before me, alluding to an examination I once made of the mechanism of Barnaby Rudge, says—”By the way, are you aware that Godwin wrote his Caleb Williams backwards? He first involved his hero in a web of difficulties, forming the second volume, and then, for the first, cast…
What I Think of Leo Tolstoy by William Dean Howells
What I Think of Leo Tolstoy by William Dean Howells I come now, though not quite in the order of time, to the noblest of all these enthusiasms—namely, my devotion for the writings of Leo Tolstoy. I should wish to speak of him with his own incomparable truth, yet I do not know how to…
CRIME AND EDUCATION by Charles Dickens
I offer no apology for entreating the attention of the readers of The Daily News to an effort which has been making for some three years and a half, and which is making now, to introduce among the most miserable and neglected outcasts in London, some knowledge of the commonest principles of morality and religion;…
My Thoughts on Walt Whitman by Willa Cather
Discover Willa Cather’s 1896 take on Walt Whitman—his style, vitality, and influence on American literature. Read this insightful essay now!
IN DEFENSE OF BOOKS by John Milton
IN DEFENSE OF BOOKS by John Milton I deny not, but that it is of greatest concernment in the Church and Commonwealth, to have a vigilant eye how books demean themselves as well as men; and thereafter to confine, imprison, and do sharpest justice on them as malefactors. For books are not absolutely dead things,…
DEATH OF EDGAR A. POE by N. P. Willis
Discover the true Edgar Allan Poe through N.P. Willis’s rare 1849 defense, challenging myths about America’s troubled literary genius.
POETRY AND PAINTING COMPARED by Gotthold Ephraim Lessing
The first person who compared painting and poetry with one another was a man of refined feeling, who became aware of a similar effect produced upon himself by both arts. He felt both represent what is absent as if it were present, and appearance as if it were reality; that both deceived, and that the…
WHAT LIFE MEANS TO ME by Jack London
Introduction to “What Life Means to Me” by Jack London This page was updated March 29, 2025. In his powerful 1905 essay “What Life Means to Me,” Jack London offers a deeply personal account of his journey through America’s social hierarchy and his eventual embrace of socialism. London, already famous for works like “The Call…
COMMON-SENSE IN ART by Oscar Wilde
Oscar Wilde’s sardonic 1887 review of Collier’s ‘Manual of Oil Painting’ reveals his belief that art transcends technical reproduction