10 Words Editors Hate

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10 Words Editors Hate

10 Words Editors Hate

We are talking about literary writing here. In most cases, genre writing tends to be a little different, and some of these words are much more acceptable to editors in genre pieces. These words are not bad words. Please understand. They are words that tend to lean toward cliché in poetry and in literary fiction. Contemporary writers are finding countless interesting and new ways to say these words.

If you use these words in your poetry or writing, be very careful. They are so charged, as an editor, I’ve stopped reading because of them. They can of course be used in ways that are not cliché, but many times just the sight of them can send your work into the DO NOT PUBLISH pile.

I’m not really saying to avoid these words. It’s really up to you. If you are going to use these words, make sure you are using them in a unique way. Make sure you are using them with the greatest amount of care. Be aware.

1. Soul-this word is number 1 for a reason.

Many editors simply hate it. I was sitting in a first year university writing workshop years ago, when a student wrote “eyes are the windows to the soul.” The professor, a well-know poet who had won many awards and who was one of the nicest people you have ever met (a great teacher) freaked out! He was also the editor of a well-know highly-awarded Mid-western literary magazine. He completely lost it. The Professor paced back and forth across the classroom. He was even a little red-faced, and said how cliché and how even childish this phrase was. I always saw him encourage writers, but at this point he got very real, and I can’t remember his exact words, but they were something like, you will never get published or be professional writing phrases like this!

2. Heart- this word also can get a manuscript rejected quickly!

Again, when I teach writing I highly recommend to my students to avoid this word unless you using it in a very non-traditional way. It’s just way overused. If you look at classic poetry, especially Renaissance poetry, you can see that poets of the time beat the meaning out of this word.

3. Love-ugh, so many other ways to say this one.

I once handed a poem in, in a writing workshop, on a master’s level, and the writer teaching the course, she was also well-know, said, simply, the word love, in writing, in poetry is “completely meaningless.” It took me a long time to figure this out, but that is why the words on this list are so dangerous. They have been overused to the point that they do not meant ANYTHING. They cause an automatic response. There are no feelings left in these words. It’s ironic. These words are the words that should hold the most meaning.

Example using some of these words:

“Her heart broke, she felt so much love for him her soul was turning dark.” This sentence puts all the work on the reader, and it doesn’t mean a lot. What if the reader hasn’t ever had a broken heart.

Alternative: The bottom fell out of her lungs, their was a dull pain in hear chest. Flashes of memories of her holding his head in her lap, him smiling up, her laughing down at him. Inside she felt someone had just unwrapped her insides. It was like she was naked and a chilling wind was blowing over her.

So this description tries to show the feelings, love, broken-heart, and soul to the reader. It does the work for the reader and shows, it doesn’t tell. I know this description isn’t perfect either. I know many writers could do much better, but you get the idea. The words heart, soul and love are telling not showing.

4. Warmth-tread lightly here. Nine times out of 10 this one will get you rejected.

Here is another word that does not give me a description. It has been used as an alternative to clichéd words so many times, that it too has lost all meaning. When you say warmth, you are relying on the reading to bring the feeling.

5. Windows-oddly, more times than not this one is used in a cliché way. Windows to the soul…

I’m talking here, about using windows as a metaphor. It’s way over done. Windows have been over played, overused. If your character is just looking in a window, it’s not a bad thing. Editors do not run from looking in a window. But when the window to the soul or heart or love or opportunity opens, editors tend to glaze over and stop reading.

6. Forever-don’t use it.

The word forever is hard to use. It really doesn’t have a meaning. If you are writing something about god or science or maybe something clever, but for the most part we cannot comprehend the meaning of this word. There is no frame of reference, and if you say it was there forever, or I will love you forever or it even seemed like forever, you are using hyperbole. If you are being funny, maybe, but most times this word can be replaced with something we can relate to better. Humans really have no concept of forever.

7. Death-ok to write about, not great to say.

Yeats said their were only 2 things that writers should write about: sex and death, so sex and death tend to 2 things editors scrutinize more than other concepts in writing.

If someone dies, they die. It’s a fact of life, but again using death as a metaphor or doing it in a way that is cliché really send editors running. The problem with these words are they put the editor, many times, on high alert, so they demand more from the writer. As an editor, I become very aware of how someone is using the word death in writing. If I even sense it’s going the wrong way, I usually stop reading.

8. Life-see above.

Life is the same as death when it comes to how quickly it can turn an editor off. When a writer starts talking about the meaning of life, I generally give out a moan and start typing my rejection letter.

9. Feeling- talk all you want it to about them, just don’t say the word.

This is one of those cases that really saying a feeling doesn’t have any meaning. It is just label. It’s a tell not show kind of thing, so you want to give a description that makes me feel the way you feel, without telling me the label of how you feel. I was angry or I was clinching my fists so hard later I would learn my nails had drawn blood from my palms. 

10. Light- do not use.

Notice even George Lucas doesn’t talk about the light side of the force in his movies. He will talk about the dark-side, but the light is either Jedi, or just force. Now in the books and other places the light side is used, but in has a nuance to it.  It is used much more sparingly than the dark-side. ‘Bringing something into the light.” “The light of truth.” “Shine some light on it.” As a metaphor these are horribly overused. I would avoid them.

In summary, I am not trying to start a flame war here. I am simply saying these words usually put editors on high alert. Once you’ve drawn this card, the editor is looking for a reason to discard your writing. Most editors I know truly dislike these 10 words. They are like fingernails on a chalkboard, but if you can figure out how to use these words in a non-cliché way, your writing rises to such a high quality that you take something so overused and make it new, generally it’s the highest form of art. Taking this risk, however, is not for the faint of heartyour soul may sufferyou may in fact open a window into the heart of your folly and that would certainly be the death of your submission.

If you dislike me a good deal for saying these thing, or you feel like I’m right (it’s rare, but could happen) leave me a comment below. I will respond to it. You should know this was an old piece that was much expanded and rewritten.

Richard Edwards has a BFA in Creative Writing and Journalism from Bowling Green State University and an M.S. in Education from the University of Akron. Managing editor of Drunk Duck, poetry editor for Prairie Margins, reporter for Miscellany, Akron Journal, Lorain Journal...check our About Us page for more. Also here is info on our On Classic Articles


  1. “Yeats said their were only 2 things that writers should write about” – Really? I doubt it, somehow.

    Otherwise, very helpful. Thank you.

  2. Thanks for the insight. There are so many words that could be used, it is pure laziness to pick those where overuse has obliterated meaning.

  3. Totally agree that writers of all stripes need to move on from cliched thought, but I always react badly to being told this or that word is definite no-no. Good to see this article is more nuanced than some of a similar ilk.

    Writers often get criticized for using $10 words too. Elevated language can also be off-putting (although elevated thought is almost always interesting).

    It’s one thing being wary of overused words like these, but I’d also say it’s important for writers to be brave enough to use any word they like as long as they can make it work in the whole.

    Another point is that many of these words and others like them, are commonly used in everyday speech. Dialogue in fiction can be as various as people on the planet. I think if your character wants to talk about her ‘forever warm feelings towards the life and death of her soul’, for example, the words she uses reflect who she is through how she talks.

    Just some thoughts. Thanks interesting read 🙂

  4. Superb article. I am motivated to make a list of these cliches and then redo some poems. Your article has challenged me. Keep giving tips…please.- Bravo to what you have taught us.

  5. It’s different if it is here or there, but I get submissions that are based around a cliche! It’s so easy to let loaded words do the work for us sometimes.

  6. I agree with this list! I am also aware that I do sometimes fall into the bad habit of leaning too heavily on old cliches. . .

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