The Poet as Prophet
James Russell Lowell
Poets are the forerunners and prophets of changes in the moral world. Driven by their fine nature to search into and reverently contemplate the universal laws of the soul, they find some fragment of the broken tables of God’s law, and interpret it, half-conscious of its mighty import. While philosophers are wrangling, and politicians playing at snapdragon with, the destinies of millions, the poet, in the silent deeps of his soul, listens to those mysterious pulses which, from one central heart, send life and beauty through the finest veins of the universe, and utters truths to be sneered at, perchance, by contemporaries, but which become religion to posterity. Not unwisely ordered is that eternal destiny which renders the seer despised of men, since thereby he is but the more surely taught to lay his head meekly upon the mother-breast of Nature, and harken to the musical soft beating of her bounteous heart.
That Poesy, save as she can soar nearer to the blissful throne of the Supreme Beauty, is of no more use than all other beautiful things are, we are fain to grant. That she does not add to the outward wealth of the body, and that she is only so much more excellent than any bodily gift as spirit is more excellent than matter, we must also yield. But, inasmuch as all beautiful things are direct messages and revelations of himself, given us by our Father, and as Poesy is the searcher out and interpreter of all these, tracing by her inborn sympathy the invisible nerves which bind them harmoniously together, she is to be revered and cherished. The poet has a fresher memory of Eden, and of the path leading back thereto, than other men; so that we might almost deem him to have been conceived, at least, if not borne and nursed, beneath the ambrosial shadow of those dimly remembered bowers, and to have had his infant ears filled with the divine converse of angels, who then talked face to face with his sires, as with beloved younger brethren, and of whose golden words only the music remained to him, vibrating forever in his soul, and making him yearn to have all sounds of earth harmonize therewith.
In the poet’s lofty heart Truth hangs her aerie, and there Love flowers, scattering thence her winged seeds over all the earth with every wind of heaven. In all ages the poet’s fiery words have goaded men to remember and regain their ancient freedom, and, when they had regained it, have tempered it with a love of beauty, so as that it should accord with the freedom of nature, and be as unmovably eternal as that. The dreams of poets are morning dreams, coming to them in the early dawn and daybreaking of great truths, and are surely fulfilled at last. They repeat them, as children do, and all Christendom, if it be not too busy with quarreling about the meaning of creeds, which have no meaning at all, listens with a shrug of the shoulders and a smile of pitying incredulity; for reformers are always madmen in their own age, and infallible saints in the next.
We love to go back to the writings of our old poets, for we find in them the tender germs of many a thought which now stands like a huge oak in the inward world, an ornament and a shelter. We can not help reading with awful interest what has been written or rudely scrawled upon the walls of this our earthly prison house, by former dwellers therein. From that which centuries have established, too, we may draw true principles of judgment for the poetry of our own day. A right knowledge and apprehension of the past teaches humbleness and self-sustainment to the present. Showing us what has been, it also reveals what can be done. Progress is Janus-faced, looking to the bygone as well as to the coming; and radicalism should not so much busy itself with lopping off the dead or seeming dead limbs, as with clearing away that poisonous rottenness around the roots, from which the tree has drawn the principle of death into its sap. A love of the beautiful and harmonious, which must be the guide and forerunner to every onward movement of humanity, is created and cherished more surely by pointing out what beauty dwells in anything, even the most deformed (for there is something in that also, else it could not even be), than by searching out and railing at all the foulnesses in nature.
Not till we have patiently studied beauty can we safely venture to look at defects, for not till then can we do it in that spirit of earnest love, which gives more than it takes away. Exultingly as we hail all signs of progress, we venerate the past also. The tendrils of the heart, like those of ivy, cling but the more closely to what they have clung to long, and even when that which they entwine crumbles beneath them, they still run greenly over the ruin, and beautify those defects which they can not hide. The past as well as the present, molds the future, and the features of some remote progenitor will revive again freshly in the latest offspring of the womb of time. Our earth hangs well-nigh silent now, amid the chorus of her sister orbs, and not till past and present move harmoniously together will music once more vibrate on this long silent chord in the symphony of the universe.
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Beautiful
Polish poet Juliusz Słowacki [1809-1849] became more noticed around the world in 1978, when Pole John Paul II became pope. It was then recalled that the poet had written (in 1848) a very surprising, visionary poem which speaks of the arrival of a ‘Slavic Pope’ who would be a sort of prophet of modern times . This poem had a very important and lasting impression not only on a multitude of believers, but also on the entire Polish society and beyond. For them, this poem was another argument that John Paul II is the authentic, true messenger of heaven. That the Pope’s advice and instructions were in line with God’s will… And John Paul II (who was also a poet himself ) consciously used it to increase his influence. So the poet’s idea of the “Slavic Pope” played an exceptional role even at the political level. John Paul II used it to trigger a whole avalanche of great events: the creation of the first free trade union “Solidarność” in the Eastern bloc, the overthrow of the communist dictatorship, in Poland and then in other countries of the Eastern bloc, and finally the fall of the Berlin Wall. Does anyone know a better example of the power of poetry in the real life? Some even assume that Słowacki’s poem became the basis of the “program” of the pontificate of St. John Paul II. This is the beginning of the poem :
“In the midst of all the disagreements, Lord God rings A huge bell,
For the Slavic, here is the pope He opened the throne.
For this Slavic Pope, he won’t escape Like this Italian,
He will fight boldly, like God, with swords; The world is dust to him!
His face, is beaming in a word, A lamp to the servants, The rising tribes will follow him
Into the light, where God is. For his sake and order Not only the people If he commands,
the sun will come to a stop, Because power is a miracle!…”
(see: https://lyricstranslate.com/en/papie%C5%BC-s%C5%82owia%C5%84ski-slavic-pope.html-0 )
Best regards,
Edward Maliszewski
Juliusz Słowacki [1809-1849] wrote between 1843/4-1846? a mystical prose poem entitled “Genesis from the Spirit” published in 1871. If we reduce the mystical parts of the poem to a minimum, we arrive at his poetic description of the “Big Bang” :
“…The Spirit… turned one point… of invisible space into a flash of Magnetic-Attractive Forces. And these turned into electric and lightning bolds – And they warmed up [in the Spirit… You, Lord, forced him…] to flash with destructive fire…[ You turned the Spirit… into] a ball of fire and hung him on the abysses [… And here… a circle spirits… he grabbed ] one handful of globes and swirled them around like a fiery rainbow… “
This is how poetic intuition could anticipate the great scientific discoveries of 20th centyry…
(see : https://www.salon24.pl/u/edalward/1334289,big-bang-according-to-the-19th-century-polish-poet-j-slowacki for more information and references)
How is it possible that a writer, poet or mystic is sometimes able to predict the future or explain the secrets of nature better, faster than scientists ? A scientist is bound by many strict regulations and protocols. An artist, is much more freer n his approach. This freedom allows artists to penetrate the mysteries of nature in a direct way. It has been a topic that has occupied the attention of great minds for centuries…
Polish poet Stanisław Wyspiański [1869-1907] explains it like this:
“I have this gift: I see things in a different way. Not like you, who do not educate your eyes, for whom God has created clichés and stereotypes, You, who, impressed by my art, call me a “prophet” and subject me to schoolboy questions,
So I took the liberty of taking a mental journey – incognito and somewhere off the beaten track, And suddenly I found myself with my old comrade Muse – and for her, there are no secrets, obscurities, or darkness, as true talent ignores any doubts. And it doesn’t matter whether or not the Academies will recognize the importance of my investigations and the details of my research and award me bonuses or medals.… I do not regard knowledge as something so special, as such an unusual thing that would walk on two stilts. Art is of the mind, it can’t be manufactured, it is created, and once created by the mind, it is a certainty. That’s why I consider my scientific thoughts to be as good as those of people with scientific degrees, and that’s why I think that anyone to whom God has given a home, that is, someone who has a good head on his shoulders and gets everything out of his head, it’s easy for him to do without many advisors…” / S. Wyspiański NOTY DO “BOLESŁAWA ŚMIAŁEGO”
(S.Wyspiański was also a very interesting painter, see: https://elhurgador.blogspot.com/2018/06/stanisaw-wyspianski-pintura-dibujo.html )
Best Regards
Poetry vs Science :
Hello,
Artificial Intelligence tools have been used to analyze the cosmogony and other scientific ideas of the Polish romantic poet Juliusz Słowacki [1809-1849]. Take a look:
“Artificial Intelligence about J.Slowacki-s ‘Genesis from the Spirit’”
https://www.salon24.pl/u/edalward/1439654,artificial-intelligence-about-j-slowacki-s-genesis-from-the-spirit
“A great romantic poet a famous scientist-physicist and Artificial Intelligence”
https://www.salon24.pl/u/edalward/1435049,a-great-romantic-poet-a-famous-scientist-physicist-and-artificial-intelligence
https://www.salon24.pl/u/edalward/notka-komentarze/1435049,a-great-romantic-poet-a-famous-scientist-physicist-and-artificial-intelligence
Thank you,
Kind Regards,
Edward