Behind the Barn with Carol Ann
by Donal Mahoney
Back in 1957, kissing Carol Ann behind the barn in the middle of a windswept field of Goldenrod with a sudden deer watching was something special, let me tell you. Back then, bobby sox and big barrettes and ponytails were everywhere.
Like many farmers, Carol Ann’s father had a console radio in the living room, and every Saturday night the family would gather ‘round with bowls of ice cream and listen to The Grand Ole Opry. It was beamed “all the way” from Nashville I was told more than once since I was from Chicago and sometimes wore a tie so how could I know.
On my first visit, I asked Carol Ann if the Grand Ole Opry was the Mormon Tabernacle Choir of country music and she said not to say that to her father. She suggested I just tap my foot to the music and let him watch me. Otherwise, I’d best be quiet and say “Yup,” “Nope” or “Maybe” if asked any questions which she didn’t think would happen. No need to say much more, she said, and after a few visits, I understood why.
Over time, I learned to tap my foot pretty good to the music because when I’d come to visit, her father would insist I have a bowl of ice cream with the family. I liked the ice cream but not so much the Grand Ole Opry. I’d been weaned on Sinatra in the city. Big difference, let me tell you.
But back in 1957 kissing Carol Ann behind the barn was something special since we couldn’t do much more until I found employment. Only then, her father said, could we get married. I found no jobs in town, however, for a bespectacled man with degrees in English.
Still, I always found the weekend drives from Chicago worth the gas my Rambler drank because kissing Carol Ann brought a bit of heaven down behind that barn, especially on summer nights when fireflies were the only stars we saw when our eyes popped open. It was like the Fourth of July with tiny sparklers twinkling everywhere.
Now, 55 years later, Carol Ann sometimes mentions fireflies at dusk as we dance behind the cows to coax them into the barn for the night. I’m still not too good with cows despite my John Deere cap, plaid shirt and overalls which proves, she says, that all that kissing behind the barn in 1957 took the boy out of the city but not the city out of the boy.
“Hee Haw” is all I ever say in response because I know why I’m there. It’s to keep tapping the cows on the rump till we get them back in the barn so we can go back in the house and start with a kiss and later on come back downstairs for two big bowls of ice cream.
Nominated for Best of the Net and Pushcart prizes, Donal Mahoney has had work published in various publications in North America, Europe, Asia and Africa. Some of his work can be found at http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html
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Richard Edwards has a BFA in Creative Writing and Journalism from Bowling Green State University and an M.S. in Education from the University of Akron. Managing editor of Drunk Duck, poetry editor for Prairie Margins, reporter for Miscellany, Akron Journal, Lorain Journal, and The BG News. He has also worked as a professional writer and editor in the medical publishing industry for several years. For the last 15 years Richard has also taught literature and writing at the secondary and post-secondary levels. He works much of the time with at-risk students.