Literary Magazines

InDigest is an online literary magazine and arts blog focused on creating a dialogue between the arts. While we publish on a quarterly schedule, we update our blog daily. InDigest recognizes that art does not take place in a vacuum and that categories are meaningless. We are interested in work that cannot be classified by genre, in good story-telling in all forms, and in artists whose curiosity drives them to push beyond the conventions of their media. You will find this interactive approach manifested in every section of the magazine, especially InDialogue, where artists, musicians, editors, and writers talk directly to each other about their work, as well as about larger questions related to art.

Fiction Mingle is a monthly 3-piece collaboration of imagery, 100 words of fiction, and audio. We feature a variety of contributors, from New York Times Bestselling Authors to unpublished writers who know how to tell a story in 100 words.

We use mainly Indian writers telling Indian stories, across a variety of genres so that the magazine is both entertaining and informative. We also publish translations of Indian regional language writing, as well as of non-Indian languages into English. We hope this magazine will bring out closet writers and become a platform for new talent as well as encourage the reading habit among those who find novels a challenge on their time!

Loaded Bicycle is an online journal of poetry, art, and translation published as often as we are able. We are dedicated to publishing emerging and established writers, translators, and artists and are open to collaborative projects in all genres. We are especially excited to publish collaborations between poets and comic artists and would be interested in seeing translations of comics. Contributors for the first and second issue include Johsua Beckman, Ana Bozicevic, Anne Carson, Karen Emmerich, Matthea Harvey, Matthew Rohrer, Craig Rubadoux, Glenn Shaheen, Michael Shapcott, Bianca Stone, Tricia Taaca, Paul Tunis, M.A. Vizsolyi, and more. Please read our first issue before submitting.

Essays & Fictions can be characterized by two points, E & F: E) Essays & Fictions is an online journal of literature and criticism. Established in Midsummer 2007, the co-founding editors set out to exploit the web as a means to distribute their book ?le, which was carefully crafted by The Landscape Press. Opting to reject the crude language of web design as a series of reductive assaults on the eye and the intellect, and declining to de?ne itself by rigid, murky notions of genre and ?xed knowable truth (to which many contemporary literary journals are enslaved, having been conceived, born and delivered in dichotomous form), Essays & Fictions emerged, seeking and publishing exceptional prose that is either essay or ?ction, or both, or neither. F) Essays & Fictions is an online literary journal, and not a depository for corpses.

Heavy Feather Review is an independent, biannual online journal dedicated to publishing the finest in short fiction, poetry, short comics, creative nonfiction, original photography/art, or any hybrid thereof. The HFR homepage sees updates on a rolling basis. These updates may include but are certainly not limited to: essays, guest posts, book reviews. Please review our guidelines before submitting. Questions? Insults? Publicity? Compliments? Email the editors at heavyfeatherreview@gmail.com.

Revolution House is the brainchild of a disparate group of writers who came together during the tumultuous early months of 2011, when the MFA application anxiety was high and the lows were lower than low. We had a dream of a sprawling farmhouse, a place where we could all escape the dragging monotony of reality. But it's difficult to find a house with fourteen bedrooms, so we ended up here instead, building platforms to launch other dreams. Most of us have never met face-to-face. We are a product of the digital age ?- we rely on Facebook, text messages, and e-mails. But we'll never meet most of you, our writers and readers, face-to-face, either. We rely on the connections forged through thought, through contact that isn't physical. Together, we will build that house, using words as our tools, as the brick and mortar, until we have created something from nothing at all. Revolution House doesn't care if you have a hundred publication credits or if this is your first attempt. Send us your poems, your stories, your moments of shining truth, and we will treat them as we want our own to be treated: with respect and compassion. Send us the work that moves you, for better or worse.

Barge Journal reads unsolicited submissions year round. Submit through our submissions manager on the website. We seek experimental fiction and poetry as well as (emphasis on the creative part) creative non-fiction -- though we prefer non-genre, non-classifiable work above all. Long story short, this isn't the place to submit your literary fiction or formal poetry.

The subterranean literary journal is an independently published literary journal, featuring short stories, poems, autobiographies and art from creative people all over the world. It began in December 2010; created by T. E. Brierley and Liam J. Kelly, two students at university, one studying Graphic design at Huddersfield and the other fine art at Leeds Met. The journals inception was sparked off by a drunken conversation between Tom and Liam, it was one of those nights that included an insane amount of wine and a persistent need to make a lot of noise with any musical instrument we could get our hands on. We decided that we wanted to create something meaningful with the potential to help other writers, a publication where the written word and considered design and typography are held in high regard. We both felt that many publications overlook these and substitute them with sensationalised stories and we strived to create something that would inspire our readers. A non profit literary journal that aims to be self sustaining, selling for the price of costs, it is a place for undiscovered and underground writers to get there work published and hopefully receive the recognition they deserve.

THE BLUE ISLAND REVIEW is a journal produced by writers living in Lawrence, Kansas. The members of the Blue Island Poetry Group hold these tenets: that poetry is the art of making all suffer; that hypergraphia is a disorder that should be incubated; that the experience of poetry is to induce emotion through image, sound, and association; that narrative is prose, and should remain such in its multiple nefarious forms; that economy of words is most powerful; that love as it is known is a most brutal form of chemical warfare, and that to inflict poetry on the unsuspecting, both in print and in voice, is the highest calling of very sexy people. To that end, we solicit contributions from writers living in (or connected to) northeast Kansas in the hopes that their work reaches more lovers of poetry than it otherwise might.

Twice a year Silk Road publishes finely crafted fiction, essays, poetry and translations that give readers a vivid point of exchange or an interaction that could occur only in a specific time and space. This event could be captured in a poem or short story as well as in reportage or travel writing. It could happen in a classroom in New Zealand or on the expanse of the African plains. We welcome work set in any location in the world including the U.S. Anyone from anywhere can enter into the conversation. We all start somewhere, so "place" is the touchstone the magazine uses for the pieces we publish. However we operate with no narrow definition of that word. The writers we feature take our readers somewhere crucial, defining and relevant.

Mason's Road is an online literary magazine sponsored by Fairfield University?s MFA in Creative Writing and run by the graduate students of the program. We publish

Red Ochre LiT strives to publish premier, contemporary literature. We are interested in poetry, fiction, nonfiction, and short, five poem chapbooks. While our primary goal is to showcase the work of experienced authors, we feature up to three emerging writers in each issue as well. To help give this new population of writers a voice, we randomly select one individual to interview about his/her journey to publication. RED OCHRE LiT was founded on the belief that reading and writing are becoming dying pastimes. In a world where people choose daily to flip through 1,000 channels instead of pages, writers must perfect their work and present it via widely accessible media venues. First and foremost, however, we must lose our fear of rejection and submit polished pieces for publication. Truly, this represents the crux of Red Ochre, resoiling the grains of our literary ancestors and what they worked so hard for. We are a multicultural journal and we venerate voices from around the world. We take pride in our national and international writers, whose work is both innovative and captivating. Anything less, would defeat our purpose. We invite you to read our issues and celebrate yet another wave of writing!

Saraba is an imprint of Two Iroko Limited whose goal is to create unending voices by encouraging young, previously unheard writers to publish their works, assist emerging writers (i.e. those who have been published little or not at all, whose talent are recognizable and whose works are qualitative) in establishing their voices by creating a platform for their writing to be showcased. Through an actualization of these purposes, Saraba would ensure that there is no generational gap, that succeeding generations of writers in Africa have unending voices.

The creative works are clear representations of Experimental Writing, and the authors provide commentary on that aspect of them. This is also the place for anyone participating in the Experimental literary world to share information, opinion, etc. as long as it what you send it not published elsewhere. This is the journal that changes its middle name regularly. So, while it is listed officially as Exclusive, as of today it is called Exclusive Windows Magazine. It is housed within a resource website about all things Experimental Writing, including a long list of links of magazines, articles, presses, etc. The magazine nominates for Pushcart Prize, and others. When your work is accepted, it will go up online shortly. Work will continue to appear in the magazine until the issue's completion by date. This is published and edited solely by Tantra Bensko, MFA, author of Watching the Windows Sleep, and instructor of Experimental Fiction Writing online. No money changes hands in any way with this journal.

Ink-Filled Page literary and arts journal features fiction, nonfiction,"Black Swan" by Gabriel Weissand artwork in four quarterly electronic issues and one print anthology