The Southeast Review, established in 1979 as Sundog, is a national literary magazine housed in the English department at Florida State University and is edited and managed by its graduate students and a faculty consulting editor.
University Press
The Iowa Review
The Iowa Review is an American literary magazine that publishes fiction, poetry, essays, and reviews. The magazine–currently in its 42nd year–is published in April, August, and December
Concho River Review
The Concho River Review publishes writers from all over the United States and, occasionally, writers from abroad. We enjoy publishing writers for the first time
Fiction International
Fiction International is the only literary journal in the United States emphasizing formal innovation and progressive politics. It features a wide variety of fiction, nonfiction, indeterminate
Bellevue Literary Review
Bellevue Literary Review is a unique literary magazine that examines human existence through the prism of health and healing, illness and disease. In these universal
Black Warrior Review
Since 1974, Black Warrior Review has published the freshest voices in literature, from established and emerging talents alike. Each issue presents high quality poetry, fiction, and nonfiction, including a chapbook by a nationally recognized poet.
Antioch Review
The Antioch Review is one of the best literary magazines in the country. We rate the Antioch Review as number 25 of our Top 50 Literary Magazines list.
Flint Hills Review
Flint Hills Review is an annual publication with a national circulation. We publish work with a particular interest in region, including regions of place, regions of ethnicity,
Alaska Quarterly Review
Alaska Quarterly Review is one of America?s premier literary magazines and a source of powerful, new voices. AQR publishes short stories, short novellas, novel excerpts,
The Carolina Quarterly
The Carolina Quarterly publishes a variety of poetry, fiction, essays, reviews, and artwork three times a year. Approximately 1,000 copies are distributed to readers locally and to individual subscribers,
New Madrid: A Journal of Contemporary Literature
New Madrid is the national journal of the low-residency MFA program at Murray State University. It takes its name from the New Madrid seismic zone, which falls within the central Mississippi Valley and extends through western Kentucky.
Cardinal Sins
Cardinal Sins is Saginaw Valley State University’s arts and writing magazine. We are run by the students and faculty of SVSU. Although regular submissions for Cardinal Sins are only open to SVSU students, faculty, and alumni, our annual contest is open to everyone!
Elan Literary Magazine
The ?lan literary magazine is a publication of the Creative Writing program at Douglas Anderson School of the Arts in Jacksonville, Fl. Its creation in 1986 was fueled by a passion for the written word that inspired students
Natural Bridge
Guest editors who are faculty–novelists, short story writers, poets, essayists–in the UMSL MFA program rotate into the class that selects the work. The class is made up of advanced MFA students with publications of their own
Poetry Salzburg Review
Poetry Salzburg Review is an English language, biannual literary magazine published by Poetry Salzburg at the University of Salzburg in Austria and edited by Wolfgang G?rtschacher
The Pinch
The Pinch is a journal of fiction, poetry, creative nonfiction, and visual art committed to presenting its readers with exciting works from both new and established writers. Founded in 1980,
The Cumberland River Review
The Cumberland River Review is a quarterly online publication of new poetry, fiction, essays, and art. The journal is produced by the department of English at Trevecca Nazarene University, in Nashville, Tennessee, and welcomes submissions from both national and international writers and artists.
pacificREVIEW
A west coast arts review annual, pacific REVIEW has published high-quality poetry, prose, and art since 1972. Past issues boast the talent of San Diego State University literati and other notable guest contributors.
Lifelines: Dartmouth Medical School Literary Journal
Lifelines is a journal published by Darmouth Medical School and publishes original and unpublished short stories, non-fiction, poetry, and artwork for our 2011 issue. We are a literary and art
The Cincinnati Review
The Cincinnati Review draws together within its pages the finest creative and critical work from across the country. We provide a venue for writers of any background, at any point in their literary
Cumberland River Review
The Cumberland River Review is an annual publication of new poetry, fiction, essays, and art. The journal is produced by the department of English at Trevecca Nazarene University, in
Blackbird
Poetry: send up to six poems at a time. Single-space, please; set your poem as you want it to appear on the printed page. (If submitting online, put all poems into one document, as the submissions software will not allow you to submit individual poems separately.) Fiction: Double-space, please. We primarily look for short stories, but novel excerpts are acceptable if self-contained. Nonfiction: Double-space, please. We primarily look for personal essays, but memoir excerpts are acceptable if self-contained. Unsolicited book reviews and criticism are not considered. Gallery: Plays are accepted. We do not accept unsolicited visual art work, but if you produce video essays, please query us about your work.
Poetry International
Each issue includes translations from around the world as well as poems by: Jorge Louis Borges, Paul Celan, Rainer Maria Rilke, Marina Tsvetaeva, Octavio Paz, Kamau Brathwaite, Osip Mandelshtam, Andrianne Rich, John Ashbery, Roberto Bolano, Gerald Stern, Yusef Komynyakaa, Amir Saadi Youssef, Hayden Carruth, Gabriela Mistral, Derek Walcott, Maxine Kumin, Charles Simic, Jean Valentine, Wanda Coleman, Jane Hirshfield, Marge Piercy, Pablo Neruda, James Tate, Seamus Heaney, Ewa Lipska, Philip Levine, W.S. Merwin, Carolyn Forche, Anne Waldman, Toi Derricotte, Robert Bly, Gary Soto, Li Young Lee, and numerous others. Our book reviews section includes over 50 pages of careful consideration of poetry collections published in the previous year. Special chapbooks and symposiums, such as Symposium on Translation, are also included. Each issue feature section showcasing the poetry of one nation, such as Russia, Israel, Mexico, Iraq, Vietnam, Chile, and Cuba.
Southern California Review
Southern California Review is the student-run literary journal of the Master of Professional Writing Program at the University of Southern California. We have been publishing fiction and poetry since 1982 and now also accept submissions of creative nonfiction, short dramatic forms, and artwork/photography. Printed annually with original cover artwork, every issue contains exciting work by both emerging and established authors. For more information, please visit us at http://www.usc.edu/scr.
The Hedgehog Review
The Hedgehog Review delivers insightful, accessible writing by scholars and cultural critics focused on the most important questions of our day: What does it mean to be human? How do we live with our deepest differences? When does a community become a good community? The transformations taking place in our world are rapid, far-reaching, and challenging. The Hedgehog Review provides resources for navigating these changes. ISSN: 1527-9677 UPC/Bipad: 74470 27522 Frequency: 3 times per year (Spring, Summer, and Fall) Pages per issue: 120 (varies) Cover price: $12.00 Subscription price: $25.00 one year (3 issues) $45.00 two years (6 issues)
The Medulla Review (DEFUNCT)
The Medulla Review is a place in the hindbrain where breathing, swallowing, and circulation are done through words, a venue for those who believe in creating reality. “Medulla” is the Latin word for “marrow” — the middle part of a structure. Bone marrow. Plant marrow.
Bayou Magazine
Bayou Magazine is a biannual literary magazine with national circulation published by the Creative Writing Workshop at the University of New Orleans. Each issue contains short fiction, non-fiction and poetry from established, award-winning authors as well as emerging writers. In keeping with the aesthetics and goals of the Creative Writing Workshop, Bayou is especially interested in discovering and showcasing fresh literary voices. The journal awards yearly contests in both fiction and poetry. And in one issue every year, Bayou features the winning one-act play and short story from the annual Tennessee Williams/New Orleans Literary Festival Competitions. We are a member of the Council of Literary Magazines and Presses, and annually nominate several published works for the Pushcart Prize, O. Henry Award and Best American Essays. Supported by the University of New Orleans English Department and the UNO Foundation, Bayou is a non-profit journal for the arts.
Switchback
SWITCHBACK is a publication of the Master of Fine Arts in Writing Program of the University of San Francisco, Catherine Brady, Director.
Crazyhorse
Recent poems from Crazyhorse were selected for reprint in The Best American Poetry 2008 and 2007 and The Pushcart Prize anthology, recent fiction in The Best American Short Stories 2008. Richard Jackson?s poem ?Cain?s Legacy,? won a 2004 Pushcart Prize. Dinty W. Moore?s essay ?Son of Mr. Green Jeans,? was reprinted in the January 2004 Harper?s Magazine. Read excerpts online: http://crazyhorse.cofc.edu. Since 1960, Crazyhorse has published John Updike, Raymond Carver, Jorie Graham, John Ashbery, Robert Bly, Ha Jin, James Wright, Carolyn Forch?, Charles Simic, Lynda Hull, Charles Wright, Jean Valentine, and Billy Collins. Past authors have been reprinted in the annual Pushcart Prize and Best American anthologies, have won Pulitzer Prizes, the National Book Award, the O. Henry Prize, have been Guggenheim fellows and NEA Fellowship recipients.
Silk Road
Twice a year Silk Road publishes finely crafted fiction, essays, poetry and translations that give readers a vivid point of exchange or an interaction that could occur only in a specific time and space. This event could be captured in a poem or short story as well as in reportage or travel writing. It could happen in a classroom in New Zealand or on the expanse of the African plains. We welcome work set in any location in the world including the U.S. Anyone from anywhere can enter into the conversation. We all start somewhere, so “place” is the touchstone the magazine uses for the pieces we publish. However we operate with no narrow definition of that word. The writers we feature take our readers somewhere crucial, defining and relevant.